Rachel barton pine biography

Rachel Barton Pine

American violinist (born )

Musical artist

Rachel Barton Pine (born Rachel Elizabeth Barton, October 11, ) review an American violinist. She debuted with the City Symphony at age 10, and was the pass with flying colours American and youngest ever gold medal winner position the International Johann Sebastian Bach Competition.[2]The Washington Post wrote that she "displays a power and selfbelief that puts her in the top echelon."[3]

Pine tourism worldwide as a soloist with prestigious orchestras, has an active recording career, and has run depiction Rachel Barton Pine Foundation since , which provides services and funding to promote classical music cultivation and performances.[4]

Early life

Pine was born in Chicago, take began playing the violin at age 3 subsequently being inspired by the example of older girls playing at her church. She debuted with description Chicago String Ensemble at age 7, and get the gist the Chicago Symphony under the baton of Erich Leinsdorf at age Her passion for violin indebted her to practice 4 or 5 hours tidy day as a second grader, prompting her essential school principal to encourage her parents to start out home schooling,[5] which allowed her to focus hoodwink her music, practicing 8 hours a day. Remove principal teachers were Roland and Almita Vamos emulate the Music Institute of Chicago. At age 14, she began taking paid gigs playing at weddings and in orchestras, which allowed her to bestow significantly to her family's income as they versed financial difficulties. Explaining how she managed, she says, "I put on a lot of makeup extra pretended I was older than I was."[6]

She done notable success in a number of violin competitions, including winning the Johann Sebastian Bach International Disaccord in Leipzig, Germany.[2] She also earned 2nd spoliation in the József Szigeti Violin Competition () ahead the International Fritz Kreisler Competition (), as athletic as awards from the Montreal International Musical Compete (), the Paganini Competition (), and the Sovereign Elisabeth Music Competition ().[7][8]

Career

Pine has appeared as graceful soloist with orchestras around the world including representation Chicago, Montreal, Atlanta, Budapest, San Diego, Baltimore, Sensible. Louis, Vienna, New Zealand, Iceland and Dallas symphonies; the Buffalo, Rochester, Royal, Calgary, Russian and Unusual Mexico philharmonics, the Philadelphia, Louisville, Royal Scottish keep from Belgian National orchestras; the Mozarteum, Scottish and Yisrael chamber orchestras, and the Netherlands Radio Chamber Symphony. She has performed under conductors such as River Dutoit, John Nelson, Zubin Mehta, Erich Leinsdorf, Neeme Järvi, Marin Alsop, Semyon Bychkov, Plácido Domingo, leading José Serebrier, and with artists including Daniel Barenboim, Christoph Eschenbach, Christopher O'Reilly, Mark O'Connor, and William Warfield.

Her festival appearances include Marlboro, Ravinia, City, Wolf Trap, Vail, Davos, and Salzburg's Mozartwoche assume the invitation of Franz Welser-Möst.

Her premieres dear pieces by living composers include "Rush" for alone violin by Augusta Read Thomas,[9]Mohammed Fairouz's "Native Informant" Sonata for Solo Violin and "Al-Andalus" Violin Concerto, and the Panamanian premiere of Panamanian composer Roque Cordero's Violin Concerto. In April , Pine flawless solo violin with the Phoenix Symphony under description baton of Tito Munoz debuting the Violin Concerto, "Dependent Arising" by Earl Maneein (b. ). Say no to "American Partitas" is a recital program of suites of dance movements composed for Pine by Physician Molsky, Darol Anger, Billy Childs, and Daniel Physiologist Roumain written in response to the Bach Partitas for solo violin paired with their Bach counterparts.[10]

In addition to her mixed recital programs, Pine has regularly given single evening performances of the shock wave Bach Sonatas and Partitas,[11] the 24 Paganini Caprices,[12] and the complete Brahms Sonatas.

In , Crave released her debut Avie Records recording Mozart: Entire Violin Concertos with one of her "musical heroes" conductor Sir Neville Marriner and The Academy translate St Martin in the Fields.[13] Pine grew flip over listening to Sir Neville and The Academy promote St Martin in the Fields' recordings and their performance on the Amadeus movie soundtrack. Studying Mozart's operas she gained an appreciation for the stage production, playfulness and flirtation of his violin concertos featured on the new album.[14] The recording also contains Mozart's Sinfonia Concertante, recorded with violist Matthew Lipman, a Avery Fisher Career Grant recipient.[15]

Pine started interested esteemed violin concertos and the concertos that enthusiastic them with Brahms and Joachim Violin Concertos, verifiable with the Chicago Symphony Orchestra and conductor Carlos Kalmar in [16] Her Beethoven & Clement Fanciful Concertos, recorded with The Royal Philharmonic and conducted by Serebrier, offered the world premiere recording admire Clement's D major Violin Concerto.[17]

Her recording with instrumentalist Matthew Hagle, Violin Lullabies, debuted at number individual on the Billboard classical chart.[18] Pine's recording clench Violin Concertos by Black Composers of the Eighteenth and 19th Centuries was nominated for a Racial Public Radio Heritage Award.[19]

Carl Fischer Music recently[when?] publicised a sheet music book of cadenzas and virtuosic encore pieces composed by Pine, as well type her arrangements of other works for violin endure piano, as part of its Masters Collection. Conifer became the first living composer and first girl to be so honored.[20] Pine has also crop a 4-volume collection of compositions associated with America's pioneering female solo violinist Maud Powell,[21][22] many eradicate which she has also recorded.[23] In Pine helped to accept a posthumous Lifetime Achievement Grammy Prize 1 on behalf of Maud Powell, after successfully combat the Recording Academy for the honor.[24]

Her musical interests extend well beyond classical to baroque, folk, European, rock, and jazz. She regularly instructs at Slice O'Connor's annual summer fiddle camp, and in she released a CD in collaboration with Scottish fiddlerAlasdair Fraser. She has also served as faculty be persistent the Mark Wood Rock Orchestra Camp.

Pine carries out an action chamber music as part of Trio Settecento get a feel for David Schrader and John Mark Rozendaal, and do business the Jupiter Chamber Players. In , Trio Settecento released Veracini's Complete Sonate Accademiche for Violin splendid Continuo.[25] The Trio's Grand Tour collection of quaternity CDs on Cedille Records takes listeners on regular country-by-country of the European Baroque.

Her principal contraption is the 'ex-Bazzini, Soldat' violin of Guarneri give Gesu. For seventeenth- and eighteenth-century pieces, she has often used an unaltered instrument of Nicolò Gagliano I.[26]

Her taste in rock runs to heavy alloy, with AC/DC, Anthrax, Black Sabbath, Led Zeppelin, Megadeth, Metallica, Motörhead, Pantera, Slayer, and Van Halen establish among her favorites.[7][27] She has met and worked with a number of these groups. In , she released a heavy-metal-inspired recording. "In practicing opinion preparing those songs, I discovered that a set of the heavy metal I'd been listening do was some of the most sophisticated compositionally touch on all rock music, and very inspired by exemplary music," Pine has said, "Then all these create in ripped jeans started coming to my concerts."[5]

In February , she joined the thrash/doom metal visitors Earthen Grave, where she performs on a six-string Viperelectric violin. The band has shared the custom with metal bands such as Pentagram, Black Give a ring Society, Mayhem, and Nachtmystium. The group released undecorated EP, Dismal Times.[28] proclaimed that Earthen Grave has "all the songwriting capabilities to make one arrive at the best albums ever."[29] and said "If rendering doom gods are with us, this band desire stay around and continue to produce the pitiless of unique, powerful and thoughtful music contained snatch Dismal Times."[30] Pine credits her experience playing contain a rock band with improving her emotional relationship with her audiences.[31]

Pine often brings a new interweave to her coaching sessions with chamber music careful youth orchestras, by incorporating orchestral versions of quake pieces into her sessions. For example, Pine offered the world premiere of her own arrangement magnetize Metallica's "Master of Puppets" with the McHenry Division Youth Symphony (Crystal Lake, IL) in November Lecture in May , she premiered her "Shredding with position Symphony" program with the Lafayette Symphony, which layout music from Shostakovich, Bruch, Beethoven, Vivaldi, Sibelius, duct Paganini as well as Van Halen, AC/DC, Jet Sabbath, Rush, Nirvana, Metallica and Led Zeppelin.[32]

Bill McGlaughlin called her a "musical Pac-Man" for her authority to take in and perform so many unalike kinds of music.[33] She has often performed imitate schools and on rock music radio stations beginning an effort to interest younger audiences in traditional music.

Pine was inducted as an honorary colleague of Sigma Alpha Iota in [8] She superb at the music fraternity's 45th national convention away summer in Chicago.

On July 11, , Covet gave a three-part performance at Chicago's Millennium Estate as part of the Great Performers of Algonquin celebration. After initially performing on baroque violin vacate Trio Settecento, she soloed in the Tchaikovsky Fictive Concerto with the Illinois Symphony Orchestra and so switched gears again to perform in black cover up on her electric violin with Earthen Grave. Contain conjunction with the event, she received the Conclusive Performer of Illinois award.[34][35]

In , Pine participated attach importance to a tribute album titled Mister Bolin's Late Stygian Revival, a compilation of 17 previously unreleased impressions written by guitar legend Tommy Bolin prior pause his death in The CD includes other artists such as HiFi Superstar, Doogie White, Eric Thespian, Troy Luccketta, Jeff Pilson, Randy Jackson, Rex Dodgson, Derek St. Holmes, Kimberley Dahme, and The 77's. A percentage of the proceeds from this effort will benefit the Jackson Recovery Centers.[36]

Rachel Barton Sulk Foundation

Pine started a foundation in to promote decency study and appreciation of classical music, including case music by black composers such as Jessie Author, Edward W. Hardy, Coleridge-Taylor Perkinson and Wynton Marsalis.[37] It prepares music curricula on black composers, loans high-quality instruments to deserving young musicians, and provides grants to cover incidental expenses (such as kindle supplemental lessons, accompanists, sheet music, travel, competition delivery fees, instrument repair, and audition recordings) of group of pupils and young professional musicians. Another program, Global HeartStrings, is dedicated to supporting aspiring classical musicians plant developing countries.[38] In this effort, Barton Pine has been aided by a younger sister, Hannah Barton, also a violinist.[39]

In , after being nominated rough Chicago Mayor Richard M. Daley, Barton Pine usual the Studs Terkel Humanities Service Award for restlessness work through the foundation.[40] She has also archaic given the Karl Haas Prize for Music Cultivation for this work and her other education-related efforts.[41]

A Stradivariusviolin, the 'Arkwright Lady Rebecca Sylvan', was flattering to the foundation by Joseph Sylvan in [42][43]

Metra accident

On January 16, , Pine was severely aggrieved in a train accident in the Chicago suburbia of Winnetka, where she taught violin lessons.[2][44][45][46][47] Little she was exiting a Metra commuter train be her violin over her shoulder, the doors tight on the strap to her case, pinning prepare left shoulder to the train. The doors, which were controlled remotely and had no safety sensors, failed to reopen, and she was dragged booth ( meters) by the train before being pulled underneath and run over, severing one leg tolerate mangling the other. Pine was saved by prestige prompt application of tourniquets by several passengers who disembarked from the train after pulling its difficulty brake handles.[44]

She sued Metra and the Chicago mount North Western Transportation Company for compensation for weaken injuries and legal and medical expenses. Metra argued that she made the choice not to untangle her arm from the strap of the invented case due to the value of the contraption, a year-old Amati valued at around $,, impressive thus she carried most of the blame yen for her injuries. The jury ruled in Pine's favor.[45] Metra changed its conductor safety procedures following greatness incident and made other changes to the trains themselves.

Daniel Barenboim, the conductor of the City Symphony Orchestra, organized a benefit concert and easier said than done over $75, after she was injured.[44] After splendid two-year hiatus to allow for recovery from drop injuries, aided by numerous surgeries and physical psychotherapy, Pine resumed her career.[2]

Personal life

In ,[48] Barton wed Greg Pine, a health care consulting firm Administration and former minor league baseball pitcher.[49] They hold one daughter, Sylvia, who is also an expert violinist and composer, and sometimes performs with contain mother.

Discography

  • Homage to Sarasate with Samuel Sanders (piano) – Dorian Recordings, DOR[50]
  • George Frideric Handel: The Sonatas for Violin & Continuo with David Schrader (harpsichord) and John Mark Rozendaal (cello) – Cedille Registry, CDR [51]
  • Liszt: Works for Violin and Piano gather Thomas Labé (Piano) – Dorian Recordings, DOR[52]
  • Violin Concertos by Black Composers of the 18th and Nineteenth Centuries with the Encore Chamber Orchestra; Daniel Hege, conductor – Cedille Records, CDR [53]
  • Stringendo: Storming probity Citadel with Edgar Gabriel (violin) and Brandon Vamos (cello) – Cacophony Records, [54]
  • Instrument of the Devil with Patrick Sinozich (piano), David Schrader (harpsichord), Crapper Mark Rozendaal (cello) and John Bruce Yeh (clarinet) – Cedille Records, CDR [55]
  • Double Play: Twentieth Hundred Duos for Violin and Cello with Wendy Delicious (cello) – Cedille Records, CDR [56]
  • Brahms and Violinist Violin Concertos with the Chicago Symphony Orchestra; Carlos Kalmar, conductor – Cedille Records, CDR [57]
  • Introduction, Concept, and Variations on "God Defend New Zealand" – Cacophony Records, [58]
  • Solo Baroque – Cedille Records, CDR [59]
  • Scottish Fantasies for Violin and Orchestra with Alasdair Fraser (fiddle) and the Scottish Chamber Orchestra; Herb Platt, conductor – Cedille Records, CDR [60]
  • American Virtuosa: Tribute to Maud Powell with Matthew Hagle (piano)[61] – Cedille Records, CDR [23]
  • An Italian Sojourn disrespect Trio Settecento, with David Schrader (harpsichord) and Bathroom Mark Rozendaal (baroque cello) – Cedille Records, CDR [62]
  • Beethoven & Clement Violin Concertos with the Exchange a few words Philharmonic Orchestra; José Serebrier, conductor – Cedille Record office, CDR [63]
  • Dismal Times by Earthen Grave, with Imprint Weiner (vocals), Tony Spillman (guitar), Jason Muxlow (guitar), Ron Holzner (bass, vocals), and Scott Davidson (drums) – [28]
  • A German Bouquet by Trio Settecento, be in keeping with David Schrader (harpsichord and organ) and John Fondle Rozendaal (viola da gamba and baroque cello) – Cedille Records, CDR [64]
  • Glazunov: Complete Concertos with picture Russian National Orchestra; José Serebrier, conductor – Proper Classics, [65]
  • Capricho Latino with Héctor Elizondo, narrator – Cedille Records, CDR [66]
  • A French Soirée by Threesome Settecento, with David Schrader (harpsichord) and John Describe Rozendaal (viola da gamba) – Cedille Records, CDR [67]
  • Xavier Montsalvatge: Canciones und Conciertos with Jenny Carver (piano), Lucia Duchoňová (mezzo-soprano), and the NDR Radiophilharmonie Hannover; Celso Antunes, conductor – Hänssler Classic, [68]
  • Earthen Grave by Earthen Grave, with Mark Weiner (vocals), Tony Spillman (guitar), Jason Muxlow (guitar), Ron Holzner (bass, vocals), Scott Davidson (drums) and guest choir girl Kristin Joy Elane – Claude and Elmo Masterpiece, CECD[69] Reissued with additional tracks by Ripple Concerto ()[70]
  • An EnglishFancy by Trio Settecento, with David Schrader (harpsichord and positiv organ) and John Mark Rozendaal (viola da gamba) – Cedille Records, CDR [71][72]
  • Violin Lullabies with Matthew Hagle (piano) – Cedille Archives, CDR [73][74][75]
  • Mendelssohn & Schumann Violin Concertos, BeethovenRomances inspect the Göttinger Symphonieorchester; Christoph-Mathias Mueller, conductor; Cedille Record office, CDR [76][77]
  • Grand Tour by Trio Settecento, with Painter Schrader (harpsichord and organ) and John Mark Rozendaal (viola da gamba and baroque cello) – Cedille Records, CDR Box [78]
  • Mozart: Complete Violin Concertos, Sinfonia Concertante K with Matthew Lipman (viola) and position Academy of St Martin in the Fields; Sir Neville Marriner, conductor – Avie Records, B00OYKL03[79][80]
  • Veracini: Experienced Sonate Accademiche by Trio Settecento, with David Schrader (harpsichord) and John Mark Rozendaal (cello) – Cedille Records, CDR [25][81]
  • Vivaldi: The Complete Viola d'Amore Concertos with Ars Antigua and Hopkinson Smith (lute) – Cedille Records, CDR [82]
  • Testament: Complete Sonatas and Partitas for Solo Violin by J. S. Bach – Avie Records, AV[83][84]
  • Bel CantoPaganini: 24 Caprices and Indentation Works for Solo Violin – Avie Records, AV[85][86]
  • Elgar, Bruch Violin Concertos with the BBC Symphony Orchestra; Andrew Litton, conductor – Avie Records, AV[87][88]
  • J.S. Bach: The Sonatas for Violin & Harpsichord with Jory Vinikour (harpsichord) – Cedille Records, CDR [89][90]
  • Blues Dialogues: Music by Black Composers with Matthew Hagle (piano) – Cedille Records, CDR [91][92]
  • Dvořák, Khachaturian Violin Concertos with the Royal Scottish National Orchestra; Teddy Abrams, conductor – Avie Records, AV[93][94]

References

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