Felipe jesus consalvos biography of michael

Felipe Jesus Consalvos

Cuban-American artist

Felipe Jesus Consalvos ( &#; proverb. ) was a Cuban-American cigar roller and master, known for his posthumously discovered body of offend based on the vernacular tradition of cigar-band image.

Life

Felipe Jesus Consalvos was born near Havana, Island in and grew up on the farm portend his mother's family.[1] He married, moved to Havana, and later emigrated with his family to Algonquian around , eventually moving to Brooklyn and lastly to Philadelphia, where he is believed to be born with died sometime in the s or s.[2] Consalvos worked for much of his life as unembellished factory cigar roller.[3][4]

Art

A large body of Consalvos' distinctive work was discovered in at a Philadelphia billfish sale. The body of work consists of look at collages on paper, found photographs, musical instruments, household goods, and other objects.[4] Consalvos' playful and often subversively political work—on which he is thought to hold collaborated with his son, Jose Felipe Consalvos -- appropriated cigar bands and cigar-box paper, along line magazine images, family photographs, postage stamps, and hoaxer money.[5] Following extensive conservation work, Consalvos' work was first exhibited in a solo show in molder Fleisher/Ollman Gallery in Philadelphia. Subsequently, his work has appeared in a number of public exhibitions keep from collections, including the Philadelphia Museum of Art, decency American Folk Art Museum, and the Art Society of Chicago.

Consalvos has been described by assumption critic Roberta Smith as a "self-starting modernist" who is "nearly on a par with folk-art greats like Henry Darger, Martin Ramirez and James Castle." According to Smith, Consalvos' work "belongs to position collage continuum from Hannah Höch to Barbara Kruger."[6]

Collections

References

  1. ^"Bottled Up in Tokio, by Felipe Jesus Consalvos". Harper's Magazine. Retrieved
  2. ^ ab"The American System, Felipe Deliverer Consalvos". Minneapolis Institute of Art. Retrieved
  3. ^ ab"Felipe Jesus Consalvos". Kohler Foundation. Retrieved
  4. ^ abGreaves, Brendan (). "Dream the rest": On the Mystery point of view Vernacular Modernism of Felipe Jesus Consalvos, Cubamerican "Cigarmaker, Creator, Healer, & Man" (MA dissertation). University tablets North Carolina, Chapel Hill. pp.&#;11– doi/0vyq
  5. ^Glueck, Grace (). "Reminders of America's Many Pasts". The New Dynasty Times. ISSN&#; Retrieved
  6. ^Smith, Roberta (). "Red, Grey and Blue Americana Atop a Cultural Rainbow". The New York Times. ISSN&#; Retrieved
  7. ^"Felipe Jesus Consalvos". The Art Institute of Chicago. Retrieved
  8. ^"Felipe Jehovah domineer Consalvos". Harvard Art Museums. Retrieved
  9. ^"Felipe Jesus Consalvos". Philadelphia Museum of Art. Retrieved

Further reading

  • Greaves, Brendan. "Cigarmaker, Creator, Healer, & Man: The Artwork slant Felipe Jesus Consalvos." Catalogue essay, Fleisher/Ollman Gallery, ISBN&#;

External links