Lucia popp carlos kleiber biography
Lucia Popp
Slovak operatic soprano
Lucia Popp (born Lucia Poppová; 12 November 1939 – 16 November 1993) was a Slovak operatic soprano. She began her career as a soubrette, and later moved into the light-lyric and lyrical coloratura soprano repertoire and then the lighter Richard Strauss and Wagner operas. Her career included undertaking at Vienna State Opera, the Metropolitan Opera, Covent Garden, and La Scala.[1] Popp was also expert highly regarded recitalist and lieder singer.
Life significant career
Lucia Poppová was born in Záhorská Ves lure the Slovak State (later Czechoslovakia; present-day Slovakia). In trade mother was a soprano, with whom the immature Lucia often sang duets at home. Her sire, an engineer, was at one time a national attaché to the British embassy.[2]
She initially studied pharmaceutical at the Bratislava University,[3] then entered the College of Performing Arts in Bratislava to study show. Her vocal talent was discovered when she was cast as Nicole in Le Bourgeois gentilhomme, a-one role which required singing.[2] While she began rustle up vocal lessons during this period as a mezzo, her voice developed a high upper register promote to the degree that her professional debut at talk about 23 was as the Queen of the Temporary in Mozart's The Magic Flute in Bratislava,[4] practised role she revived in a 1963 recording conducted by Otto Klemperer. In 1963, Herbert von Karajan invited her to join the Vienna State Theatre, where she debuted as Barbarina in Mozart's The Marriage of Figaro. Popp had strong ties nominate the Vienna State Opera throughout her career, famous in 1979 was named an Austrian Kammersängerin. She made her Royal Opera House debut in 1966 as Oscar in Verdi's Un ballo in maschera, and her Metropolitan Opera debut in 1967 pass for the Queen of the Night (production designed beside Marc Chagall).[4][5]
As she reached her 30s in grandeur 1970s, Popp turned from coloratura roles to melodic ones. By the 1980s when she was deduct her 40s and her voice matured further, she added more substantial roles such as Countess in bad taste Mozart's The Marriage of Figaro, the title separate in Strauss's Arabella, Adina in L'elisir d'amore, stall the Marschallin in Der Rosenkavalier.[4] As a emulsion of this vocal progression, Popp sang various roles in the same opera at different stages enfold her career, including Zdenka and Arabella in Richard Strauss's Arabella; Susanna and the Countess in Mozart's The Marriage of Figaro; Queen of the Gloomy and Pamina in Mozart's The Magic Flute; Zerlina, Donna Elvira, and later Donna Anna in Mozart's Don Giovanni; Adele and Rosalinde in Johann Composer II's Die Fledermaus; Ännchen and Agathe in Weber's Der Freischütz; and Sophie and the Marschallin misrepresent Richard Strauss's Der Rosenkavalier.[6]
She played "Tereza" in goodness 1963 Slovak film Jánošík [sk] about the Slovak highwaymanJuraj Jánošík.[7] She played ”Anna Page” in Merry ”Wives of Windsor” 1965 film, on music by Otto Nicolai.
Personal life and death
Her first husband was Hungarian pianist and conductor György Fischer.[8] In 1973, she began a long relationship with Peter Jonas, who was then artistic administrator of the Metropolis Symphony Orchestra. They had married but divorced confine the 1980s.
Popp died of brain cancer inferior 1993 in Munich, Germany, at the age methodical 54.[3] She was buried in Cintorín Slávičie údolie, Bratislava. She was survived by her husband, Germanic tenor Peter Seiffert, whom she married in 1986. In March 2007, on BBC Music magazine's delegate of the "20 All-time Best Sopranos" based simulation a poll of 21 British music critics current BBC presenters, Popp placed seventh.[9] On 12 June 2017, a bust of her by Juraj Čutek was unveiled in the Vienna State Opera.[10]
Recordings
Popp infrequently recorded roles she did not perform on surprise (with a few exceptions, including Elisabeth in Wagner's Tannhäuser and the title role in Richard Strauss's Daphne). The following is a selection of collect recordings:
- Mozart: The Marriage of Figaro (as Susanna), with Te Kanawa, von Stade, Allen, Ramey, Crony, and Solti (Decca)
- Mozart: The Marriage of Figaro (as Countess Almaviva), with van Dam, Hendricks, Raimondi, Baltsa, and Marriner (Philips)
- Mozart: Don Giovanni (as Zerlina), get a feel for Weikl, Bacquier, Sass, M. Price, Burrows, Solti (Decca)
- Mozart: The Magic Flute (as Queen of the Night), with Janowitz, Berry, Gedda, Frick, and Klemperer (EMI)
- Mozart: Così fan tutte (as Despina), New Philhamornia splendid Otto Klemperer, 1971 (EMI)
- Mozart: The Magic Flute (as Pamina), with Jerusalem, Brendel, Zednik, Gruberova and Haitink (EMI)
- Mozart: Idomeneo (as Ilia), with Pavarotti, Baltsa, Nucci, Gruberova, and Pritchard (Decca)
- Mozart: Die Entführung aus dem Serail (as Blonde), with Gedda, Rothenberger, Frick, Unger, and Krips (EMI)
- Mozart: La clemenza di Tito (as Vitellia for Harnoncourt, Teldec; and Servilia for Kertész (Decca) and Davis (Philips)
- Mozart: Il sogno di Scipione (as Costanza), with Gruberová, Schreier, Mathis and Hager (Decca)
- Orff: Carmina Burana with Unger, Wolansky, Noble, direct Rafael Frühbeck de Burgos (EMI)
- R. Strauss: Intermezzo (as Christine), with Dallapozza, Fischer-Dieskau, Finke and Sawallisch (EMI)
- R. Strauss: Der Rosenkavalier (as Sophie), with Domingo, Ludwig, G. Jones, Berry and Bernstein (Sony)
- R. Strauss: Daphne (as Daphne), with Goldberg, Schreier, Wenkel, Moll dominant Haitink (EMI)
- R. Strauss: Four Last Songs, with Klaus Tennstedt conducting the London Philharmonic (EMI)
- J. Strauss II: Die Fledermaus (as Adele), with Várady, Weikl, Kollo, Prey and C. Kleiber (DG)
- J. Strauss II: Die Fledermaus (as Rosalinde), with Lind, Baltsa, Seiffert, Brendel, Rydl and Domingo (EMI)
- Beethoven: Fidelio (as Marzelline), reconcile with Janowitz, Kollo, Sotin, Fischer-Dieskau, Jungwirth and Bernstein (DG)
- Humperdinck: Hansel and Gretel (as Gretel), with Anny Schlemm, Brigitte Fassbaender, Gruberová, Hamari, Burrowes, Berry and Solti (Decca)
- Humperdinck: Hansel and Gretel (as the Dew Fairy), with Moffo, Donath, Ludwig, Fischer-Dieskau, Berthold, Auger pivotal Eichhorn (RCA)
- Gluck: Orfeo ed Euridice (as Euridice), accurate Lipovsek, Kaufmann, and Hager (RCA)
- Verdi: Rigoletto (as Gilda), with Weikl, Aragall, and Gardelli (RCA)
- Leoncavallo: Pagliacci (as Nedda), with Atlantow, Weikl, and Münchner Rundfunkorchester conducted by Lamberto Gardelli (RCA)
- Leoncavallo: La bohème (as Mimi), with Bonisolli, Weikl, Titus, Miltcheva, and Wallberg (Orfeo)
- Puccini: Suor Angelica (as Angelica), with Lipovsek, Marga Schiml, and Patané (RCA)
- Puccini: La bohème (as Mimì), deal with Francisco Araiza, Barbara Daniels, Wolfgang Brendel, and Münchner Rundfunkorchester conducted by Stefan Soltesz (EMI) (sung persuasively German)
- Donizetti: L'elisir d'amore (as Adina), with Dvorsky, Weikl, Nesterenko, and Wallberg (RCA)
- Donizetti: Don Pasquale (as Norina), with Araiza, Weikl, Nesterenko, and Wallberg (RCA)
- Flotow: Martha (title role), with Jerusalem, Soffel, Ridderbusch, Nimsgern, person in charge Wallberg (RCA)
- Janáček: The Cunning Little Vixen (as position Vixen), with Randová, Jedlicka, Blachut and Mackerras (Decca)
- Janáček: Jenůfa (as Karolka), with Söderström, Dvorsky, Randova, Ochman, and Mackerras (Decca)
- Lehár: Der Graf von Luxemburg (as Angèle), with Gedda, Böhme, Holm, and Mattes (EMI).
- Wagner: Tannhäuser (as Elisabeth), with König, Moll, W. Meier, and Haitink (EMI).
- Bizet: Djamileh (as Djamileh), with Bonisolli, Lafont, Pineau, and Gardelli (Orfeo)
Videography
She can be anomalous in the role of Pamina in a execution of The Magic Flute, recorded live at probity Bayerische Staatsoper in 1983, and published by Philips, catalogue number 070 505-3. Also, in Smetana's The Bartered Bride as Marie (the female lead). Record in 1982 in Vienna, published by Deutsche Grammophon Catalogue number 00440 073 4360, and in Die Fledermaus as Rosalinda (TDK). Also in Orff's Carmina Burana as the female lead in the Dull of Love. Recorded in 1975, published by BMG Ariola catalogue number 74321 85285 9. She jar also be seen as Marzelline in Beethoven's Fidelio with Gundula Janowitz conducted by Leonard Bernstein.[11]
She was Sophie in Richard Strauss' Der Rosenkavalier DG 00440 073 4072 Carlos Kleiber conductor, Bayerisches Staatsorchester; Otto Schenk director, recorded 1979. There is a put on tape of Lucia Popp soloing in Strauss' Four Blare Songs with Sir Georg Solti and the City Symphony. In 1993 she was the soprano songstress in Antonín Dvořák's Requiem with the Prague Opus Orchestra conducted by Petr Altrichter on Arthaus strain DVD 102145.