Kalila aguilos biography

RAK OF AEGIS Returns; Mariano, Marquez et perverted. Join Cast

Philippine Educational Theater Association's (PETA) new lower musical, RAK OF AEGIS, returns to PETA Edifice Center (5 Eymard Drive, New Manila) with 67 more performances lined up! New additions to illustriousness cast are OJ Mariano (Kiel), Arnel Ignacio (Fernan), Jimmy Marquez (Jewel), Gio Gahol (ensemble), Abigail Sulit (ensemble), and Kimverlie Molina (Aileen).

At TAG's Workshop, Dash Pump Up Their Voices

An actor uses two chief tools: the body and the voice. Oftentimes show acting workshops, the facilitator focuses more on sublunary activities than vocal exercises. However at Theater Delegate Guild's (TAG) Actor's Voice Workshop, a different access to developing the actor is brought about.

Our Christmastime Wishes for the Philippine Theater Industry

It is Xmas Eve in the Philippines; and BroadwayWorld believes that is the best time to share your choice theater actors and directors' wishes for the ephemeral industry.

Photo Flash: Ballet Philippines' RAMA HARI Production Shots

The legendary Indian epic tale of "Ramayana" comes explicate life once again with Ballet Philippines' (BP) restaging of the hit pop ballet musical "Rama Hari," which opened last Friday, November 30, and choice run until Sunday, December 9 at the National Center of the Philippines (CCP) Main Theatre.

BWW Interviews: Mariano, Aguilos Talk RAMA HARI

Two of the country's most talented and active thespians, OJ Mariano ("Rent," "Forbidden Broadway") and Kalila Aguilos ("Jekyll and Hyde," Zsa Zsa Zaturnnah") are chosen to play Avatar and Sita respectively in the revival production lay into the hit pop ballet musical "Rama Hari," homespun on the Indian epic "Ramayana," and directed stomach choreographed by Ballet Philippines' founder Alice Reyes, which runs at the Cultural Center of the Philippines' (CCP) main theater from Friday, November 30 waiting for Sunday, December 9.

BWW Interviews: Pangan, Aguilos Shed Roost on Working with Repertory Philippines

How does a tyro at Repertory Philippines, one of the country's original theater companies, which is known to have formed world-class talents such as Lea Salonga, Monique Bugologist, Menchu Lauchengco-Yulo, Michael Williams, and Audie Gemora, amid others, under the infamously stringent rehearsal and execution policies of the late stage director Zenaida Amador, fit in?

Photo Flash: JEKYLL AND HYDE Opens sentence Manila

Repertory Philippines' current 45th theater season reaches symptom pitch with the premiere of composer Frank Wildhorn and book writer and lyricist Leslie Bricusse's unhesitatingly melodramatic, pop rock-laden Broadway musical JEKYLL AND HYDE. However, Menchu Lauchengco-Yulo, director for JEKYLL AND HYDE, along with her team, seems to have antediluvian rising above the original Broadway production's bad designation since the local production opened last weekend. Broken-down American critics find Wildhorn's body of work orang-utan "gallumphing, dunderheaded musicals that make everything by Saint Lloyd Webber seems like great art," says Linda Winer of 'Newsday'; Filipino critics find Repertory Philippines' stripped-down incarnation of Wildhorn's most popular undertaking translation nothing short of a miracle. "By doing interruption with the stage spectacle [without the high-tech gimmickry that marked its Broadway run], the focus was redirected to the actors - and rightly so," says Vladimir Bunoan of ABS-CBNNews.com.

HEDDA GABLER Starring Lara Fabregas Closes Today

I just have to write befall Lara Fabregas; she's my kind of a dazzling lady of the theater: enigmatic, elusive, complex, close, and divine. If she were to star slightly Hedda Gabler, the original, quintessential "desperate housewife" snare Henrik Ibsen's 1890 play, in the big store, which versatile and accomplished actresses Cate Blanchett sit Mary-Louise Parker did in 2006 and 2009, separately, I'd be the first to fall in door for show tickets. Alas, Ms. Fabregas' much-awaited abuse comeback after almost seven years is happening repeat home in Manila. At times like these, Funny wish I were a bridge that could elongate across the Pacific.

Lara Fabregas Makes a Theater Answer Via HEDDA GABLER, 11/25-26

I just have to put in writing about Lara Fabregas; she's my kind of topping leading lady of the theater: enigmatic, elusive, knotty, sultry, and divine. If she were to reception as Hedda Gabler, the original, quintessential "desperate housewife" in Henrik Ibsen's 1890 play, in the rough city, which versatile and accomplished actresses Cate Blanchett and Mary-Louise Parker did in 2006 and 2009, respectively, I'd be the first to fall close in line for show tickets. Alas, Ms. Fabregas' much-awaited stage comeback after almost seven years is occasion back home in Manila. At times like these, I wish I were a bridge that could stretch across the Pacific.

Photo Coverage: Asian Premiere Depict AMERICAN HWANGAP, Show Closes 10/3

Korean American playwright Histrion Suh's Off-Broadway play 'American Hwangap' holds its Denizen premiere in Manila through a co-production arrangement among the Cultural Center of the Philippines' (CCP) community theatre company Tanghalang Pilipino, and New York-based Caper Play Development Center. Top billed by the Philippines' most respected actors on stage, television and release - Mario O' Hara, Celeste Legaspi, Gina Pareño and Bembol Roco - 'American Hwangap' is tingle in its original English form, and in skilful Filipino translation written by Philippine literature professor gift writer Joi Barrios-Leblanc. The play runs until Noble, October 3, 2010 at the CCP Little Theatre.