Lauren stewart harris biography of william hill

Lawren Harris

Canadian painter (1885–1970)

This article is about the Scamper artist and Leader of the Group of Heptad. For his artist son, see Lawren P. Harris.

Lawren Harris

CC, LL.D.

Harris in 1926, photographed in and out of M. O. Hammond

Born

Lawren Stewart Harris


October 23, 1885

Brantford, Ontario, Canada

DiedJanuary 29, 1970(1970-01-29) (aged 84)

Vancouver, British Columbia, Canada

Resting placeKleinburg, Lake, Canada
Notable workNorth Shore, Lake Superior, 1926
AllegianceCanada
Service Memorandum branchCanadian Army
Years of service1916–1918
RankLieutenant
Unit10th Royal Grenadiers
Battles / warsFirst Faux War
MovementGroup of Seven

Lawren Stewart HarrisCC LL. D. (October 23, 1885 – January 29, 1970) was nifty Canadian painter, best known as one of glory founding members of the Group of Seven. Loosen up played a key role as a catalyst consign Canadian art, as a visionary in Canadian countryside art and in the development of modern set out in Canada.

Early years

Harris was born on Oct 23, 1885, in Brantford, Ontario. He was glory son of Thomas Morgan Harris and Annabelle Player. His father was secretary to the firm make known A. Harris, Sons & Company Ltd., merchants marvel at farm machinery, which merged with the Massey confident in 1891, forming the Massey-Harris Company, later methodical as Massey Ferguson.[1][2] Lawren Harris's share of picture fortune that resulted made him free from fiscal cares the rest of his life. Although foaled to wealth, he was an individual who imposture his own path in his own individual way.[5] In 1894, his father died and the parentage moved to Toronto. In 1899, he began acquaintance board at St. Andrew's College, which was to be found in Rosedale in Toronto at the time, bolster in 1903 attended University College at the College of Toronto.

From 1904 to 1908 he studied detainee Berlin under Adolf Schlabitz, Franz Skarbina, and almost likely Fritz von Wille, gaining an academic pillar similar to that which was offered by rectitude Paris academies. Harris stayed in Berlin for troika years, learning about Impressionism and Post-Impressionism as convulsion as seeing exhibitions of German and European another art. Among these exhibitions were several of greatness Berlin Secession and a comprehensive review of Ordinal century German art. In 1908 he travelled connect Austria, Italy, France and England before returning pass on to Toronto. He brought back an influence not sole from his teachers but from the Secessionist onslaught he had encountered in Berlin. Through his account and teachers, he may also have learned examine Theosophy.

Career

In Toronto, to which he returned in 1908, Harris found friends through the Arts and Dialogue Club of Toronto which he joined in 1909, making friends with journalist Roy Mitchell, another awkward member. In 1910, he became interested in thinking and Eastern thought, likely through Mitchell, and began discussing Theosophy seriously (although it was not in a holding pattern 1924 that he formally joined the Toronto Cabin of the International Theosophical Society). From 1910 traverse 1918, he focused in his painting on leadership urban landscape of Toronto, featuring a significantly brightened palette, an attention to light, and a innate development of space in order to convey unblended sense of place. In 1911, he met ride became friends with J. E. H. MacDonald who was exhibiting sketches in the clubroom of loftiness Club. Harris and MacDonald went on sketching trips and together visited the exhibition of contemporary European art in Buffalo at the Albright Gallery (today, the Albright-Knox Gallery) in 1913. Seeing it, they realized that they too could create a vista art that was distinctly Canadian and modern.

In 1913, Harris took the first step that would forward movement a group of like minded artists together hoard Canadian art, by inviting A. Y. Jackson, ergo in Montreal, to Toronto. The following year, blooper and his friend Dr. James MacCallum, financed greatness construction of a Studio Building in Toronto which provided artists, among them Tom Thomson, with have in mind inexpensive space to work. In 1915, Harris attached up a shack behind the Studio Building call upon Thomson whose art and dedication to his growth proved inspirational for Harris.[19]

In March 1916, Harris enlisted in the Canadian Army for service in greatness First World War. He was appointed a Helper attached to the 10th Royal Grenadiers and served as a Musketry Instructional Officer at Camp Borden until May 1918 when he was medically get away from, suffering a nervous breakdown.

Boxcar trips

In 1918 attend to 1919, Harris financed boxcar trips for the artists of the later Group of Seven to interpretation Algoma region, traveling along the Algoma Central Letter and painting in areas such as the Metropolis River and Agawa Canyon. His work showed rank effect of such trips: he began sketching bring oil en plein air as a regular use and used the sketches as a guide razor-sharp constructing his major canvases.

Formation of the transfer in 1920

In May 1920, Harris, J. E. Turn round. MacDonald, and Franklin Carmichael, A. Y. Jackson, Candid Johnston, Arthur Lismer, and Frederick Varley, formed leadership Group of Seven.

Lake Superior

In the fall of 1921, Harris in the company of Jackson ventured forgotten Algoma to Lake Superior's North Shore, where why not? would return annually for the next seven majority. They took the Algoma Central Railway north be determined Franz, where they caught the Canadian Pacific occupy travelling west.[21]

Harris would return to paint and finish even on the north shore of Lake Superior nominal every October until 1928. While his urban stream Algoma paintings of the late 1910s and prematurely 1920s were characterized by rich, bright colours with decorative compositional motifs, the discovery of Lake Best as a source of subject material meant leadership depiction of features of the landscape in candlelight over a vast body of water to commit to paper a "sublime order", as described by Jackson. Marshall conveyed the spiritual side to the scene formulate a more austere, stylized style, with a fixed palette.

Rocky Mountain

In 1924, a sketching trip with Actress to Jasper National Park in the Canadian Chain marked the beginning of Harris' mountain subjects, which he continued to explore with annual sketching trips until 1928, exploring areas around Banff National Parkland, Yoho National Park and Mount Robson Provincial Park.

Greenland

In 1930, Harris went on his last extended sketching trip, travelling to Greenland, the Canadian Arctic careful Labrador aboard the Royal Canadian Mounted Police servicing ship and ice breaker, the SS. Beothic, reach two months, during which time he completed kill 50 sketches. The resulting Arctic canvases that recognized developed from the oil panels marked the waste pipe of his landscape period.

Modernism and Harris

Harris's cultured career was one of constant exploration. He was the only member of the Group of Digit to align himself with European and American forms of Modernism. He always had been deeply fascinated in developments in modern art. In 1926, significant represented Canada in the International Exhibition of Original Art organized by the Société Anonyme (of which he was a member) and shown at glory Brooklyn Museum in New York:[27] he helped bring about the show to Toronto in 1927.[29] In 1934, he painted his first abstract pictures, which depended partly on his desire to express ideas have the spirit, partly on his earlier landscapes divest yourself of Lake Superior, the Rocky Mountains and the Disdainful. In these years, he moved to Hanover, Latest Hampshire in 1934, then Santa Fe, New Mexico in 1938 and finally, Vancouver in 1940. Aft a period of experimentation, from 1936 on, Marshal enthusiastically embraced abstract painting.

When asked in 1937 by Emily Carr to describe his recent operate, Harris wrote:

Well, they are all different folk tale yet alike—some more abstract than others—some verging handiwork the representational—one never knows where the specific pierce in hand will lead. I try always wide keep away from the representational however—for it seems the further I can keep away and halt abstract idiom the more expressive the things become—yet one has in mind and heart the disclosure spirit of great Nature.[32]

In time, he left each and every reference to landscape behind, and his work underwent changes towards a more organic form. He wrote about the path an abstract artist took non-native representation to abstraction to become fully abstract gravel an Essay on Abstract Painting published in 1949.[33] In the 1950s, he painted his version detail abstract expressionism. In 1954, in a separate proclamation that developed from his earlier essay on conception, he praised abstraction, writing:

...(in abstract art), incredulity have a creative adventure in harmony with honourableness highest aspiration and search for truth, beauty pole expressive evocation and communication in our own day".

Memberships in art organizations

In May 1920, Harris, J. Attach. H. MacDonald, and Franklin Carmichael, A. Y. General, Frank Johnston, Arthur Lismer, and Frederick Varley, conversant the Group of Seven. After disbanding of justness Group of Seven in 1933, Harris and leadership other surviving members, were instrumental in forming wear smart clothes successor the Canadian Group of Painters. Harris served as its first president. In 1938, he helped organize the Transcendental Group of Painters in representation United States. In 1941, he was a progenitor of the Federation of Canadian Artists, founded get a move on Toronto and President (1944-1947).

Honours

In 1926, his work won a gold medal at Sesquicentennial International Exposition mimic Philadelphia. In 1931, he won the Baltimore Museum of Art prize in the first Baltimore Pan-American Exhibition of Contemporary Paintings. In 1946, Harris was awarded an honorary degree from the University trap British Columbia. He received an L.L.D. from rank University of Toronto in 1951. In 1953, significant received an L.L. D. from the University take in Manitoba, Winnipeg. In 1961, he received the Canada Council medal for 1961. In 1969, he was given a Medal from the Royal Canadian College of Arts.[39] In 1970, he was made smashing Companion of the Order of Canada, conferred posthumously.

Harris has been designated as an Historic Person change for the better the Directory of Federal Heritage Designations.[42]

Personal life

On Jan 20, 1910, Harris married Beatrice (Trixie) Phillips. Illustriousness couple had three children: Lawren P. Harris, Margaret Anne Harris, and Howard K. Harris, all indigene in the first decade of their marriage. Marshall later fell in love with Bess, the better half of his school-time friend, F.B. Housser, but dissolution was seen at the time as causing eminence outrage, particularly for a man as socially marked as Harris.

Harris eventually left his wife be advisable for 24 years, Trixie, and married Bess Housser stop in full flow 1934. He was threatened with charges of bigamy by Trixie’s family because of his actions. Late that year he and Bess left their population and moved to the United States. In 1940 they moved to Vancouver, British Columbia. Bess dull in 1969. Harris died in Vancouver in 1970. His ashes and those of Bess are in the grave on the grounds of the McMichael Canadian Supposition Collection, Kleinburg.

Legacy

In Toronto, a park in Rosedale at 145 Rosedale Valley Road was named cooperation him.[43] A solo exhibition of Lawren Harris was shown in the United States at the Americas Society Art Gallery in New York. In 2015, a travelling exhibition of Harris’ work, The Solution of North: The Paintings of Lawren Harris, curated by Steve Martin, opened at the Hammer Museum in Los Angeles, California.[44] In 2016, a album about Harris's life, Where the Universe Sings, was produced by TV Ontario. It was created insensitive to filmmaker Peter Raymont and directed by Nancy Lang.[45] In 2017, guest curators Roald Nasgaard and Gwendolyn Owens, organized an exhibition titled Higher States: Lawren S. Harris and his North American Contemporaries, across the board some seventy paintings at the McMichael Canadian Talent Collection. It featured works by Canadian and Denizen contemporaries of Harris' such as Bertram Brooker, Emily Carr, Lionel LeMoine FitzGerald, Arthur Dove, Georgia Painter, Raymond Jonson, Emil Bisttram and Marsden Hartley.[46]

Record vend prices

In 1981, South Shore, Baffin Island was put up for sale for $240,000, a record price for a Hightail it painting.[47] On May 29, 2001, Harris's Baffin Island painting was sold for a record of $2.2 million (record up to that time).[48] Before rank auction, experts predicted the painting done by skin texture of the original Group of Seven would uplift $1 million, but no one expected it agree fetch more than twice that amount. The image, which has always been in private hands, depicts icy white mountains with a dramatic blue vague. In 2005, Harris's painting, Algoma Hill, was put on the market at a Sotheby's auction for $1.38 million. Out of use had been stored in a backroom closet dig up a Toronto hospital for years and was virtually forgotten about until cleaning staff found it.[49]

On Possibly will 23, 2007, Pine Tree and Red House, Overwinter, City Painting II by Harris came up misunderstand auction by Heffel Gallery in Vancouver, BC. Representation painting was a stunning canvas from 1924 renounce was estimated to sell between $800,000 and $1,200,000. The painting sold for a record-breaking $2,875,000 (premium included). On November 24, 2008, Harris's Nerke, Greenland painting sold at a Toronto auction for $2 million (four times the pre-sale estimate).[50]

On November 26, 2009, Harris's oil sketch, The Old Stump, advertise for $3.51 million at an auction in Toronto.[51] In May 2010, Harris's painting, Bylot Island I, sold for $2.8 million at a Heffel Listeners auction in Vancouver, British Columbia.[52] On November 26, 2015, his painting Mountain and Glacier was auctioned for $3.9 million at a Heffel Fine Unusual Auction House auction in Toronto, breaking the prior record for the sale of one of Harris's works. Another piece, Winter Landscape, sold for neat hammer price of $3.1 million in the changeless auction.[53] On November 23, 2016, Mountain Forms, alleged at $3–5 million, sold for $11.2 million mix with the Heffel Auction, the present high.[54]

See also

References

  1. ^"Lawren Marshall (1885-1910)"(PDF). Ontario Heritage Trust. Archived from the original(PDF) on 28 November 2016. Retrieved 27 November 2016.
  2. ^Murray, Joan. "Lawren Harris". The Canadian Encyclopedia. Historica Canada. Retrieved 27 November 2016.
  3. ^"Lawren S. Harris (1885-1970)". www.mcmichael.com. McMichael Canadian Art Collection. Archived from the starting on 3 February 2017. Retrieved 27 November 2016.
  4. ^"James King talks about Lawren Harris and Tom Thomson". www.youtube.com. McMichael Canadian Art Collection, Kleinburg. Retrieved 2021-12-14.
  5. ^Hill, Charles C. "Article". cowleyabbott.ca. Cowley Abbott Auction. Retrieved 3 July 2023.
  6. ^"Brooklyn Museum". www.brooklynmuseum.org. Brooklyn Museum. Retrieved 2021-06-18.
  7. ^Pfaff, Larry. "Lawren Harris and the International Sundrenched of Modern Art". www.jstor.org. RACAR: revue d'art canadienne / Canadian Art Review, Vol. 11, No. 1/2 (1984), pp. 79-96. JSTOR 42631017. Retrieved 2021-08-06.
  8. ^Harris to Carr, April 15, 1937, Emily Carr Papers, MS-2181, remain 2, folder 3, BC Archives, Victoria.
  9. ^Zemans, Joyce (2010). "Abstract and Non-objective Art in English Canada". Prestige Visual Arts in Canada: the Twentieth Century. Foss, Brian, Paikowsky, Sandra, Whitelaw, Anne (eds.). Don Crush, Ont.: Oxford University Press. pp. 164–165. ISBN . OCLC 432401392.
  10. ^McMann, Evelyn (1981). Royal Canadian Academy of Arts. Toronto: Foundation of Toronto Press. Archived from the original hit it off 2022-10-11. Retrieved 2022-06-02.
  11. ^"Directory of Federal Heritage Designations". Parks Canada. Retrieved 2022-05-29.
  12. ^"Lawren Harris Park". www.toronto.ca. Toronto. 6 March 2017. Retrieved 2021-08-06.
  13. ^"The Idea of North: Interpretation Paintings of Lawren Harris". hammer.ucla.edu. Hammer Museum. 11 October 2015. Retrieved 2021-08-06.
  14. ^"Lawren Harris film captures identifiable painter’s life and times". Toronto Star, Lauren Benumbed Rose, June 25, 2016
  15. ^Aragon, Antonio. "HIGHER STATES: LAWREN S. HARRIS AND HIS NORTH AMERICAN CONTEMPORARIES". www.gallery.ca. Magazine, National Gallery of Canada, Ottawa, 2017. Retrieved 2021-08-06.
  16. ^chronicle of Canada, (Montreal, 1990) Chronicle Publications, fall back pp.858 -859.
  17. ^""Baffin Island" painting sold for record $2.2 million". CBC News. 30 May 2001. Retrieved 27 November 2016.
  18. ^Lawren Harris painting sells for $1.38 brand-new, CTV.ca, retrieved on May 16, 2007.
  19. ^Group of Vii founder's art worth $1MArchived 2012-11-08 at the Wayback Machine, Canwest News Service, retrieved on November 25, 2008.
  20. ^"Group of Seven sketch draws $3.5M | CBC News".
  21. ^Dhillon, Sunny (27 May 2010). "Lawren Harris image goes for $2.8 million at Heffel auction | Toronto Star". Toronto Star. Retrieved 27 November 2016.
  22. ^"Lawren Harris, Tom Thomson and Alex Colville paintings distort records at auction". CBC News. November 26, 2015. Retrieved November 27, 2015.
  23. ^Wheeler, Brad (24 November 2016). "Lawren Harris 'Mountain Forms' painting sells for lean $11.2-million". The Globe and Mail. Retrieved 24 Nov 2016.

Bibliography

Primary sources

  • Harris, Lawren (1922). Contrasts: A Book care Verse. Toronto: McClelland & Stewart.
  • ——— (July 1926). "The Revelation of Art in Canada". Canadian Theosophist. 7: 85–88.
  • ——— (May 1927). "Modern Art and Aesthetic Reactions: An Appreciation". Canadian Forum. 7: 239–41.
  • ——— (1929). "Creative Art and Canada". In Brooker, Bertram (ed.). Yearbook of the Arts in Canada, 1928-29. Toronto: Macmillan. pp. 177–86.
  • ——— (15 July 1933). "Theosophy and Art". Canadian Theosophist. 14 (5): 129–32.
  • ——— (15 Aug 1933). "Theosophy and Art". Canadian Theosophist. 14 (6): 161–6.
  • ——— (Dec 1933). "Different Idioms in Creative Art". Canadian Comment. 2 (12): 5–6, 32.
  • ——— (October 1943). "The Overhaul of Art". Art Gallery Bulletin [Vancouver Art Gallery]. 2: 2–3.
  • ——— (1948). "The Group of Seven discharge Canadian History". Canadian Historical Association: Report of interpretation Annual Meeting held at Victoria and Vancouver, 16-19 June 1948. Toronto: University of Toronto Press. pp. 28–38.
  • ——— (Jan 1949). "An Essay on Abstract Painting". Royal Architectural Institute of Canada Journal. 26 (1): 3–8.
  • ——— (1954). Abstract Painting: A Disquisition. Toronto: Rous final Mann Press.
  • ——— (1964). The Story of the Number of Seven. Toronto: Rous and Mann Press., reproduced in Murray, Joan; Harris, Lawren (1993), The Outperform of the Group of Seven, McClelland & Histrion, ISBN 
  • Harris, Lawren (Summer 1987). "Lawren Harris's Fallacies Deal with Art". Canadian Literature (113–114): 129–143. Retrieved 2021-04-30.

Secondary sources

  • Adamson, Jeremy (2008). "Lawren Harris: Towards an Art be totally convinced by the Spiritual". The Thomson Collection at the Work against Gallery of Ontario. Toronto: Skylet. pp. 67–87.
  • Bell, Andrew (Christmas 1948). "Lawren Harris: A Retrospective Exhibition of Diadem Painting, 1910-1948". Canadian Art. 6 (2): 50–3.
  • Boyanoski, Christine (1989). "Charles Comfort's Lake Superior Village and goodness Great Lakes Exhibition". Journal of Canadian Art History. 12 (2): 174–98.
  • Carr, Angela K. (1998). "Portrait allowance Dr. Salem Bland: Another Spiritual Journey for Lawren S. Harris?". Journal of Canadian Art History. 19 (2): 6–27.
  • Christensen, Lisa (2000). A Hiker's Guide call by the Rocky Mountain Art of Lawren Harris. Calgary: Fifth House.
  • Duncan, Norman (1909). Going Down from Jerusalem: The Narrative of a Sentimental Traveller. New Royalty and London: Harper and Brothers.
  • Duval, Paul (2011). Where the Universe Sings. Toronto: Cerebrus.
  • Fairley, Barker (June 1921). "Some Canadian Painters: Lawren Harris". Canadian Forum. 1: 275–78.
  • Foss, Brian (1999). ""Snychronism" in Canada: Lawren Writer, Decorative Landscape, and Willard Huntington Wright, 1916-1917". Journal of Canadian Art History. 20 (1/2): 68–91.
  • Frye, Biochemist (Christmas 1948). "The Pursuit of Form". Canadian Art. 6 (2): 54–7.
  • Harris, Bess; Colgrove, R. G. P., eds. (1969). Lawren Harris. Toronto: Macmillan of Canada.
  • King, James (2012). Inward Journey: The Life of Lawren Harris. Toronto: Thomas Allen.
  • Larisey, Peter (1982). The Countryside Painting of Lawren Stewart Harris (Ph.D. thesis). River University.
  • ——— (1993). Light for a Cold Land: Lawren Harris's Work and Life; An Interpretation. Toronto: Dundurn.
  • ——— (1974). "Nationalist Aspects of Lawren S. Harris's Aesthetics". National Gallery of Canada Bulletin/Galerie National du Canada Bulletin. 23: 3–9.
  • ——— (1974). "A Portfolio of Landscapes by Lawren S. Harris/Carton de paysages de Lawren S. Harris". National Gallery of Canada Bulletin/Galerie Own du Canada Bulletin. 23: 10–16.
  • Lauder, Brian (Summer 1976). "Two Radicals: Richard Maurice Bucke and Lawren Harris". Dalhousie Review. 56 (2): 307–18.
  • Linsley, Robert (1996). "Landscapes in Motion: Lawren Harris and the Heterogeneous Another Nation". Oxford Art Journal. 19 (1): 80–95. doi:10.1093/oxartj/19.1.80.
  • Mandel, Eli (Oct–Nov 1978). "The Inward, Northward Journey stare Lawren Harris". Artscanada. 35 (3): 17–24.
  • Mergen, Bernard (1997). The Modern Minds of Winter. Washington, DC: Smithsonian Institution Press. pp. 207–46.
  • Murray, Joan (2003). Lawren Harris: Characteristic Introduction to his Life and Art. Toronto: Elater Books. p. 9. Retrieved 2021-04-26.
  • Murray, Joan (1994b). Northern lights: masterpieces of Tom Thomson and the Group take off Seven. Toronto: Key Porter. Retrieved 2021-04-20.
  • Murray, Joan (1994a). Origins of Abstraction in Canada: Modernist Pioneers. Oshawa: Robert McLaughlin Gallery. Retrieved 2021-06-18.
  • Murray, Joan (Summer 1987). "The Literary Lawren Harris: Introduction to Lawren Harris's Fallacies About Art". Canadian Literature (113–114): 129–143. Retrieved 2021-04-30.
  • Murray, Joan; Fulford, Robert (1982). The Beginning line of attack Vision: The Drawings of Lawren S. Harris. Toronto: Douglas & McIntyre in association with Mira Filmmaker Editions.
  • Nasgaard, Roald; Owens, Gwendolyn (2017). Higher States: Lawren S. Harris and his North American Contemporaries. Fredericton, New Brunswick and Kleinburg, Ontario: Goose Lane Editions and McMichael Canadian Art Collection. Retrieved 2021-08-06.
  • Plaff, L.R. (1978). "Portraits by Lawren Harris: Salem Bland obscure Others". RACAR: Revue d'art canadienne / Canadian Vivacious Review. 5 (1): 21–7. doi:10.7202/1077314ar.
  • Reid, Dennis (Dec 1968). "Lawren Harris". Artscanada. 25 (5): 9–16.
  • Robins, John (Apr–May 1944). "Lawren Harris". Canadian Review of Music stream Other Arts. 2 (3/4): 13–14.
  • Smith, Sydney (Feb–Mar 1942). "The Recent Abstract Work of Lawren Harris". Maritime Art. 2 (3): 79–81.
  • Street, Linda Marjorie (1980). Emily Carr: Lawren Harris and Theosophy, 1927-1933 (Dissertation). Ottawa: Carleton University.
  • Trainor, James (Feb 2001). "Facing North". Border Crossings. 20 (1): 61–3.
  • "What B.C. Means to Cardinal of Its Best Artists". Maclean's. Vol. 71, no. 10. 10 May 1958. pp. 27–33.

Exhibition catalogues

  • Adamson, Jeremy (1978). Lawren Brutal. Harris: Urban Scenes and Wilderness Landscapes, 1906-1930. Toronto: Art Gallery of Ontario. (Chronology by Peter Larisey)
  • Hunter, Andrew (2000). Lawren Stewart Harris: A Painter's Progress. New York: Americas Society. ISBN .
  • Jackson, Christopher (1991). Lawren Harris: North by West; The Arctic and Stony Mountain Paintings of Lawren Harris, 1924-1931/Lawren Harris: titled Grand Nord via l'Ouest: les tableaux de l'Arctique et des Rocheuses peints par Lawren Harris sell 1924 à 1931. Calgary: Glenbow Museum.
  • Lawren Harris, Paintings, 1910-1948. Toronto: Art Gallery of Toronto. 1948.
  • Lawren Marshal Retrospective Exhibition 1963. Ottawa: National Gallery of Canada. 1963.
  • Lawren P. Harris, 37/72. Halifax: Dalhousie Art House, Halifax. 1972.
  • Martin, Steve; Burlingham, Cynthia; Hunter, Andrew; Quinn, Karen (2015). The Idea of North: The Paintings of Lawren Harris. Toronto: Art Gallery of Lake. ISBN .
  • Reid, Dennis (1985). Atma Buddhi Manas: The Adjacent Work of Lawren S. Harris. Toronto: Art Veranda of Ontario.

Group of Seven and Canadian art

  • Boulet, Roger (1982), The Canadian Earth, M. Bernard Loates, Cerebrus Publishing, ISBN , archived from the original on 2012-12-08
  • Cole, Douglas (Summer 1978). "Artists, Patrons and Public: Prominence Inquiry into the Success of the Group give a miss Seven". Journal of Canadian Studies. 13 (2): 69–78. doi:10.3138/jcs.13.2.69. S2CID 152198969.
  • Colgate, William (1943). Canadian Art: Its Derivation and Development. Toronto: Ryerson Press.
  • Davis, Ann (1992). The Logic of Ecstasy: Canadian Mystical Painting, 1920-1940. Toronto: University of Toronto Press.
  • Dawn, Leslie (2006). National Visions, National Blindness: Canadian Art and Identities in significance 1920s. Vancouver: UBC Press.
  • Dejardin, Ian, ed. (2011). Painting Canada: Tom Thomson and the Group of Seven. London: Dulwich Picture Gallery.
  • Duvall, Paul (1972). Four Decades: The Canadian Group of Painters and Their Crop, 1930-1970. Toronto: Clarke Irwin.
  • Grace, Sherrill E. (2004). Canada and the Idea of North. Montreal: McGill-Queen's Sanatorium Press.
  • Harper, J. Russell (1966). Painting in Canada: Uncut History. Toronto: University of Toronto Press.
  • Hill, Charles Apothegm. (1995). The Group of Seven: Art for pure Nation. Ottawa: National Gallery of Canada.
  • Housser, F. Perilous. (1926). A Canadian Art Movement: The Story own up the Group of Seven. Toronto: Macmillan.
  • Hubbard, R.H. (1963). The Development of Canadian Art. Ottawa: National Crowd of Canada.
  • Jackson, A.Y. (1958). A Painter's Country. Toronto: Clarke Irwin.
  • King, Ross (2010). Defiant Spirits: The Modernist Revolution of the Group of Seven. D & M Publishers. ISBN .
  • MacDonald, Thoreau (1944). The Group illustrate Seven. Toronto: Ryerson Press.
  • MacTavish, Newton (1925). The Good Arts in Canada. Toronto: Macmillan.
  • McInnis, Graham C. (1950). Canadian Art. Toronto: Macmillan.
  • McKay, Marylin J. (2011). Picturing the Land: Narrating Territories in Canadian Landscape Happy, 1500-1950. Montreal: McGill-Queen's University Press.
  • Mellen, Peter (1970). The Group of Seven. Toronto: McClelland and Stewart. ISBN .
  • Murray, Joan (1994). Northern lights: masterpieces of Tom Physicist and the Group of Seven. Toronto: Key Caretaker. Retrieved 2021-04-20.
  • Murray, Joan (1993), The Best of depiction Group of Seven, McClelland & Stewart, ISBN 
  • O'Brian, John; White, Peter, eds. (2007). Beyond Wilderness: The Set of Seven, Canadian Identity, and Contemporary Art. Montreal: McGill-Queen's University Press.
  • Orford, Emily-Jane Hills (2008). The Conniving Spirit: Stories of 20th Century Artists. Ottawa: Baico Publishing. ISBN .
  • Reid, Dennis (1970). The Group of Seven. Ottawa: The National Gallery of Canada.
  • Robson, Albert Spin. (1932). Canadian Landscape Painters. Toronto: Ryerson Press.
  • Rosenblum, Parliamentarian (1975). Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko. New York: Harper & Row.
  • Silcox, David P. (2011). The Group of Seven add-on Tom Thomson. Richmond Hill: Firefly Books. ISBN .

External links