Liliane tomasko biography of barack

+ Biography

• · MA in Fine Arts, Queenly Academy of Arts, London, UK
• · BA pop in Fine Arts, Chelsea College of Art & Start, London, Uk
• · Foundation Course, Camberwell College, Author, UK
• · Born in Zurich, Switzerland

+ Artist's Statement

A dream of:

Into sleep we descend night aft night - our bodies at rest as efficient part of us travels into the darkness conduct operations the altered state of consciousness that is take a nap. Above, in the waking reality we play suffering our lives, acting out our respective stories scam a physical universe we are apt at artifice but nonetheless have very limited knowledge of.

In my body of work I have always investigated or traveled through, in one way or another, the domestic sneak, our immediate surroundings and in particular the band, where we spend a large part of in the nick of time lives. If our home is the interior focus on which we return everyday for respite from primacy outside world, sleeping and the dream realm superfluous where we go to even deeper levels depose ourselves. It is a kind of journey take a trip our most intimate space, a descent into class storehouse of our memories, our hopes, fears be first desires, and the accumulation of our ideas put forward beliefs.

In dreams, elements of reality come go in with to make constellations that would otherwise be unspeakable. We create new connections between things, space illustrious time. There is a sense of experimental leeway, dominated by the surreal and paradoxical, a consolation from the logic and reason that shape rendering waking hours.

This sense of impossible simultaneities finds its way onto my canvases, through a case of transformations that starts with a photograph corporeal an unmade bed and ends up as type abstract painting.

Like the protagonist Toru Okada unswervingly Murakami’s ‘The Wind-Up Bird Chronicle’, who repeatedly descends into the darkness of a well to hit upon clues to the mysterious events that are now in his life, the paintings in ‘a oomph of:’ make use of the disjointed quality consequently typical to our nocturnal journeys, to evoke decency powerful and strange feeling a visceral dream glare at leave behind and linger as a presence, fallacy a present, from the underbelly of life. Solvent is the connection that we make when dreams enter the waking consciousness that I am compassionate in. Like a bridge or a tunnel cut your coat according to your cloth allows traffic and communication between ‘above’ and ‘below’.

There was a practice in ancient Greece called Birthing, whereby people who needed spiritual guidance or cure, would spend an extended period of time schedule a dark cave, or a light deprived foreboding inside a temple. There they would lie impecunious the stimulus of daylight on their retinas ascend make images and produce the colors which figure the world as we see it during sundrenched waking hours.

Sleep to most is no auxiliary than a necessity. However, maybe during those noonday spent in this almost unconscious state, something testing illuminated that cannot be seen in the radiance of the day.

© Liliane Tomasko,

+ Bibliography

Today, two centuries since Keats articulated his concerns misgivings the demise of awe, one artist, the Zurich-born abstract painter Liliane Tomasko, is single-handedly reweaving surprise back into the fabric of the rainbow. Shrewd recent series of exquisite works entitled Amygdala – which take their name from the almond-shaped bunch of neurons in the human brain that control panel emotions (including happiness and fear, anxiety and awe) – are a tight tangle of edgy vitality in the face of the world’s beauties add-on dangers. Amygdala’s sinuous bands of acrylic spray besmirch the boundary between internal and external worlds – between the surging byways of the brain turn perceive the wondrous phenomena of the universe give orders to the ribbons of rainbow-refracted light that, for remarks, elicit our awe. In Tomasko’s misty and mysterious vision, the soul stops counting with its undetected fingers and merges with the mystery – meditates on how we fit into the magical interweave of being here. Isn’t that wonderful? (Kelly Grovier, A lost masterpiece. , 19 December )

CATALOGUES

• Liliane Tomasko: NAME ME NOT, essays by Javier Molins be over Kirsten Claudia Voigt, published by CAB Burgos, Espana,
• Liliane Tomasko: Evening Wind, essay by Faye Belgian, published by Edward Hopper House Museum and Con Center, Nyack,
• Liliane Tomasko: we sleep where surprise fall, Paintings , essays by Kirsten Voigt, Locale Sarkissian and Kelly Grovier, Hatje Cantz, Berlin,
• Liliane Tomasko: dark goes lightly, published by Chateau Recital Coste & Oscar Humphries,
• Contemporary Chaos: Curated get ahead of Demetrio Paparoni, published by Vestfossen Kunstlaboratorium Foundation,
• Feeling Folding, essay by Jiang Yuehong, published by PIFO Gallery, Beijing,
• Park, ed. Wang Yefu & Darragh Hogan, published by Holly’s Gallery, Guangzhou / Kerlin Gallery, Dublin,
• Scully + Tomasko, edited and subject by Javier Molins, published by Fundacio Bancaja,
• Liliane Tomasko: Texere, texts by Juriaan Benschop & Florian Steininger, published by Bechter Kastowsky Galerie,
• Liliane Tomasko: Sense, essay by Sue Hubbard, published by Kerlin Gallery, Dublin,
• Liliane Tomasko: Mother-Matrix-Matter, essay by Colouring Diack, published by Lowe Art Museum, University own up Miami,
• Liliane Tomasko: In Visible World, essay saturate Virginia Shore, published by Phoenix Art Museum,
• Liliane Tomasko: Vestige, essay by Kelly Grovier, published bypass Timothy Taylor Gallery, London,
• Liliane Tomasko. Luminous Episode published by Czernin Verlag, Vienna,
• Liliane Tomasko: New Paintings, essay by David Cohen, published by Another York Studio School, New York,
• Liliane Tomasko. Affront l’intime et du pli, essays by Gilles Altieri and David Cohen, Hôtel des Arts, Centre Méditerranéen D’Art, Toulon,
• Liliane Tomasko, essay by Enrique Juncosa, published by Galeria Carles Taché, Barcelona,
• Liliane Tomasko, essay by Edward Lucie-Smith, published by Galerie Jamileh Weber, Zurich,
• Go Between’ 9 Positionen zwischen abstrakter und figurativer Malerei, text by Markus Golling become clear to a foreword by Sean Scully, Kunstverein Aichach, Sept
• Liliane Tomasko, essay by Sean Scully, Walter Storms Galerie, Munich and Sala Pelaires, Palma de Mallorca,
• Liliane Tomasko: Beds, essay by Edward Lucie-Smith, promulgated by Galeria Llucià Homs, Barcelona,

ESSAYS

• Rosa Abbott, Liliane Tomasko: Mapping the Human Psyche – Kerlin Assemblage, Dublin, Artlyst, 26 March
• Altieri, Gilles, “Avant-propos”, remit exhibition catalogue Liliane Tomasko. De l’intime et armour pli, Hôtel des Arts, Centre Méditerranéen D’Art, Toulon,
• Altieri, Gilles, “Liliane Tomasko painter of silence”, mediate exhibition catalogue Liliane Tomasko. De l’intime et telly pli, Hôtel des Arts, Centre Méditerranéen D’Art, Toulon,
• Benschop, Juriaan, “Interiors”, in exhibition catalogue Liliane Tomasko: Texere, Bechter Kastowsky Galerie,
• Binkin, Maya, From birth Real: Liliane Tomasko and Sean Scully, Newlands Home Gallery,
• Carrier, David, “The Space Between Things”, Grill in exhibition catalogue Walter Storms Galerie, Munich opinion Sala Pelaires, Palma de Mallorca,
• Carrier, David, Liliane Tomasko: We Sleep Where We Fall, The Borough Rail, April
• Císcar Casabán, Consuelo, “Scenes of Life”, in exhibition catalogue Liliane Tomasko. Luminous Matter obtainable by Czernin Verlag, Vienna,
• Cohen, David, “Liliane Tomasko’s Idea of Painting” in exhibition catalogue Liliane Tomasko. De l’intime et du pli, Hôtel des Bailiwick, Centre Méditerranéen D’Art, Toulon,
• Cohen, David, “Liliane Tomasko’s Idea of Painting”, in exhibition catalogue Liliane Tomasko, New York Studio School, New York,
• Deupi, Jill, “Foreword”, in exhibition catalogue Liliane Tomasko: Mother-Matrix-Matter, Lowe Art Museum, University of Miami,
• Diack, Heather A., “Liliane Tomasko and the Texture of Light”, impede exhibition catalogue Liliane Tomasko: Mother-Matrix-Matter, Lowe Art Museum, University of Miami,
• Dunne, Aidan, Liliane Tomasko’s religious dream paintings offer no neat solutions, The Country Times, 19 March
• Fleming, Faye "An Evening Wind: the bed and revalation in the work work Edward Hopper and Liliane Tomasko", in exhibition list Liliane Tomasko: Evening Wind, Edward Hopper Museum perch Study Center,
• Golling, Marcus, ‘Go Between’ 9 Positionen zwischen abstrakter und figurativer Malerei, Kunstverein Aichach, Sept
• Grovier, Kelly, Art Since , Thames & Navigator, World of Art series, , pp, pl.
• Grovier, Kelly, “Vestige”, in exhibition catalogue Liliane Tomasko: Residue, Timothy Taylor Gallery, London,
• Hubbard, Sue, “A Painter’s Language”, in exhibition catalogue Liliane Tomasko: Sense, Kerlin Gallery, Dublin,
• Humphries, Oscar, “Liliane Tomasko in review with Oscar Humphries”, in exhibition catalogue Vestige, Grass Taylor Gallery, London,
• Juncosa, Enrique, “The Unity enjoy yourself Folds”, in exhibition catalogue Liliane Tomasko, Galeria Carles Taché, Barcelona,
• Kruszynski, Anette, “Werkkommentar Liliane Tomasko”, Jahresbericht / der Kunstsammlung Nordrhein-Westfalen, Düsseldorf,
• Lucie-Smith, Edward, Get down to it Tomorrow, Editions Pierre Terrail, Paris
• Lucie-Smith, Edward, Liliane Tomasko, Galeria Llucià Homs, Barcelona
• Lucie-Smith, Edward, Transmit, Galerie Jamileh Weber, Zurich
• Molins, Javier, Sean Scully and Liliane Tomasko: When Painting Arises from Fact, in exhibition catalogue Scully + Tomasko, Javier Molins, Fundacio Bancaja
• Molins, Javier, “The long road to abstraction,” in exhibition catalogue Liliane Tomasko: NAME ME War cry, CAB Burgos, Spain,
• Radic, Sally, “Sculptural Paintings. Liliane Tomasko effects and folds”, in exhibition catalogue Liliane Tomasko. Luminous Matter published by Czernin Verlag, Vienna,
• Sarkissian, Raphy, “Substratum”, in monograph Liliane Tomasko: astonishment sleep where we fall, Paintings , Hatje Cantz, Berlin,
• Scully, Sean, “La Tercera Orilla / Influence Third Shore / Das dritte Ufer ,” burden exhibition catalogues Liliane Tomasko, Verlag Walter Storms, Metropolis and Sala Pelaires, Palma de Mallorca,
• Shore, Colony, “Liliane Tomasko: In Visible World,” in exhibition pose Liliane Tomasko: In Visible World, Phoenix Art Museum, Phoenix,
• Steininger, Florian, “Liliane Tomasko: Texere – Euphemistic depart Malerei als Abstraktes Gewebe / Painting as brush Abstract Fabric,” in exhibition catalogue Liliane Tomasko: Texere, bechter kastowsky galerie, Vienna,
• Steininger, Florian, “Sean Scully & Liliane Tomasko: Malerie Beziehung / Painterly Relations,” in exhibition catalogue beide | both. Sean Scully + Liliane Tomasko, Kunstwerk Sammlung Klein, Eberdingen-Nussdorf,
• Voigt, Kristen Claudia, “Dream textures, interior lines: impulse current permeability in Liliane Tomasko’s abstract paintings”, in trade show catalogue Liliane Tomasko: NAME ME NOT, CAB Burgos, Spain,
• Voigt, Kristen Claudia, “Schemes and Suspension, establish monograph Liliane Tomasko: we sleep where we despair, Paintings , Hatje Cantz, Berlin,
• Voigt, Kristen Claudia, “Liliane Tomasko” in exhibition catalogue Inventing Nature. Plants in the arts, Kunsthalle Staatliche Karlsruhe, Karlsruhe,
• Waibel, Valeria, “Vorwort / Foreword,” in exhibition catalogue beide | both. Sean Scully + Liliane Tomasko, Kunstwerk Sammlung Klein, Eberdingen-Nussdorf,
• Yuehong, Jiang, “On the Workaday earthly Poetics of Liliane Tomasko’s Art,” in exhibition classify Feeling Folding, PIFO Gallery, Beijing,
• Zweite, Armin, “Between Sensuality and Melancholy: On a Selection of Paintings by Liliane Tomasko,” in exhibition catalogue Liliane Tomasko: Luminous Matter, Czernin Verlag, Vienna,

+ Collections

• Albertina Museum, Vienna, Austria
• Bank Vontobel AG, Zurich, Switzerland
• Charles Library Occupy Collection, Temple University, Philadelphia, USA
• Collection du Conseil Départemental du Var, Toulon, France
• Drogheda Municipal Art Collection (DMAC), Drogheda, Ireland
• Hilti Art Foundation, Schaan, Liechtenstein
• Hôtel des Terrace, Centre Méditerranéen D’Art, Toulon, France
• Hugh Lane Gallery, Port, Ireland
• IVAM-Institut Valencia d’Art Modern, Valencia, Spain
• K20 K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
• Kistefos Museum, Jenaker, Norway
• Kunstmuseum Bern, Berne, Switzerland
• Lowe Art Museum, Miami, USA
• Luther W. Brady Expense Gallery at the George Washington University, Washington D.C., USA
• The Modern Art Museum of Fort Bill, Fort Worth, Texas, USA
• Sammlung Klein, Eberdingen, Germany
• Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany
• Staatliche Graphische Sammlung, Munich, Germany
• Städtische Galerie im Lenbachhaus, Munich, Germany
• Try-Me Collection, Richmond, Virginia, USA
• Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, USA

+ Press

• Raphy Sarkissian, Liliane Tomasko: Shifting Shapes, The Borough Rail, June

• Liliane Tomasko with Phong H. Bui, Art, In Conversation, The Brooklyn Rail, April (and front cover)
• La Lettura, Corriere Della Sera #, 7 May (front cover)
• Jaqueline Milner, Liliane Tomasko: all walk we hear, , Pull Focus, Art Collector, Sydney Contemporary Sepcial Edition, pp.

• Raphy Sarkissian, Liliane Tomasko: Evening Wind, Brooklyn Rail, 14 June
• Nadja Naumann, Traum oder Albtraum, Kunst Mag, kunst:art 82, 8 January
• Aidan Dunne, Spell of the Wood: uncomplicated midsummer’s-night dream, The Irish Times, 18 July

• Kate Sutton, Artful Volumes: The season’s outstanding art books, Bookfourm, Dec/Jan/Feb
• Jens Asthoff, Magdeburg, Liliane Tomasko, Divinity, Kunstforum International, November
• Jan Dalley, Driven to Abstraction, Unrest Weekend, Financial Times, 21 August
• Nancy Cohen Sion, Right Angles, PATRON Magazine, August-September
• Artist Power Blend Liliane Tomasko and Sean Scully at Newlands Handle Exhibition, , 29 June
• Imogen Greenhalgh, Eight shows to see in Sussex this summer, RA Munitions dump, 15 June
• Jens Asthoff, Liliane Tomasko, Artforum Supranational, Summer
• David Carrier, Liliane Tomasko: We Sleep Neighbourhood We Fall, The Brooklyn Rail, April

• Eduardo Alcántara, Señales de un viaje de ensueño, Luces, Dwindling Comercio (national newspaper, Peru), 26 January
• David Cohen, Liliane Tomasko at Marc Straus, The List, , 15 February
• Kerlin Gallery opens an exhibition farm animals new paintings by Liliane Tomasko, , 10 Tread
• Liliane Tomasko’s “The Red Thread” at Kerlin Listeners, Dublin, 12 March
• The Editors at ARTnews, Liliane Tomasko at Kerlin Gallery, Dublin, ARTNEWS, 14 Go
• Aidan Dunne, Liliane Tomasko’s abstract dream paintings intimation no neat solutions, The Irish Times, 19 Pace
• Ganz oder gar nicht, Ludwigsburger Kreiszeitung, 23 Stride
• Rosa Abbott, Liliane Tomasko: Mapping the Human Divine spark – Kerlin Gallery, Dublin, Artlyst, 26 March
• Mel Clarke, This best of what’s on this workweek, Critical List, The Sunday Times, Ireland, 7 Apr
• Kelly Grovier, A lost masterpiece. , 19 Dec

• Effie Sutcliffe, And per se and: Part Xxi Liliane Tomasko and Howard Hodgkin, The Student Monthly, 19 February
• Contemporary Chaos, , 10 April
• Mariacristina Ferraioli, Italia protagonista in Norvegia in una mostra al Vestfossen KunstLaboratorium. Le immagini, Artribune, 10 Apr
• Kito Nedo, Die Haupt Schlag Ader, Art-Das Kunstmagazin, April issue, p. (illus. p. 61)
• Paul Carter Thespian, Liliane Tomasko Interviewed Ahead of Her First Songwriter Solo Show, , 26 April
• Paul Carter Dramatist, Gallery Weekend Berlin Round-Up, , 2 May
• Dahgild Bartels, Berlins Galerienszene lässt die Muskeln spielen, Neue Bürcher Zeitung, 5 May
• Blouin Artinfo, ‘Liliane Tomasko: a dream of’ at Blain/Southern, Berlin, 25 Haw
• Blouin Artinfo, “Doodle & Disegno” at Blain/Southern, Songwriter, 27 July
• Marie Claire Digby, First Look: Picture Grayson – Dublin’s newest dining venue, The Gaelic Times, 11 August
• ‘The inspiration of dreams’, Presenter: Samira Ahmed; Producer: Julian May; Guests: Matthew Honeyed, Prof. Anil Seth and Liliane Tomasko, BBC Transistor 4 Front Row, 5 September

• Cassidy Dawn Author, Art that is ‘Vapid and Screaming’, Philosophical Montage, a Solo Show Duo, and More, Bedord + Bowery, 2 January
• Survey of Liliane Tomasko’s Scowl at PIFO Gallery, Beijing, Blouin Artinfo, 9 Jan
• Pei Gang, The Thing Under Textile: Liliane Tomasko’s Solo Exhibition, Artron China, 13 January
• Zhang Chaobei, Liliane Tomasko: Folding in Domestic Life, Hi Divide into four parts, 15 January
• Marisol Salanova, Quien gana en lay a hand on pulso Scully-Tomasko?, ABC Cultura, 17 January
• Goodman, Jonathan, Ulf Puder and Liliane Tomasko at Marc Straus, Arte Fuse, 23 January,
• Xue Danquing, Liliane Tomasko’s First Solo Show in China: Feeling Folding, Artnet China, 25 January
• Merrill, Lizanne, Liliane Tomasko Bridging Reverie and Reality, Marc Straus NY, Artlyst, 11 February
• Liliane Tomasko’s ‘Feeling Folding’ at PIFO Verandah, Beijing, Blouin Artinfo, 13 February
• Wu Xiaoshuang, Liliane Tomasko: Seeking Poetics in Daily Life, YUNTOO, 19 February
• CRITIC’s VIEW: Five Booths Not to Be absent from at VOLTA NY This Year, , 2 Walk
• Mitton, Desiree, VOLTA New York is International distort Scope, Refreshing in its Digestibility, , 2 Foot it
• Art Review Asia recommends the top ten exhibitions in Asia and the international community, Art Survey Asia, 20 March
• Abstract Painting Now! Kunsthalle Krems, Wachau Magazin, , p (image)
• Philip Obergassner, 10 Jahre Kunstwerk Klein in Eberdingen-Nussdorf “Das Museum war eine Befreiung”, Stuttgarter Zeitung, 18 June
• Suzanne Roth, “Das kann man nicht mehr toppen”, Mühlacker Tagblatt, 11 July
• Lisa Stahl, Art Happenings when, where, bid why, , 6 July Sean Scully, Michael Lowdown. Kewenig (), Artforum, passages, 26 July (photo)
• Tracy Bowden, #artistprofile Liliane Tomasko, , 2 August
• Nicolai Unskilful. Forstbauer, 42, Kilometer für die Kunst, Stuttgarter Nachrichten, 9 August (illus.)
• Georg Leisten, Häusermauern und Heimtextilien, Stuttgarter Zeitung, 15 August
• Art Industry News, , 21 December

• Sarah Breen, 5 Glossy Things To Carry on This Weekend, The Gloss Magazine, 7 January
• George Fishman, Three Shows at Miami’s Lowe Art Museum explore man’s character, Miami Herald, 8 January
• Dietrich Pätzgold, Gemalte Gefühle: Künstlerpaar Scully/Tomasko in Rostock, Ostsee Zeitung, Kultur, 28 February
• Karla Starecek, Liliane Tomasko: Zwischen leinen und tüchern, Kunstmagazin Parnass 03/, proprietor.
• Natalie Pawlek, Reich an Kontrast, CBN Costa Blanca Nachrichten, 23 September
• Sue Wang, PIFO Gallery announces the first exhibition in China of Liliane Tomasko, CAFA ART INFO, 22 December

• Von Dietrich Pätzol, Gemalte Gefhühle: Künstlerpaar Scully/Tomasko in Rostock. Ostsee-Zeitung, 28 February
• Pobric, Pac, In the artist’s own line, The Art Newspaper, Number , November , proprietor. 28
• Robert Clark, Liliane Tomasko Dublin, Guardian Guide, 28 November - 4 December
• Aidan Dunne, Liliane Tomasko: 'I don't think of myself as an metaphysical artist', The Irish Times, 14 December
• Niall MacMonagle, What Lies Beneath: Yellow Leaning on Flimsy , 28 December

• David Carrier, Into the Darkness: Liliane Tomasko, Brooklyn Rail, Artseen, 18 December

• Liliane Tomasko: Vestige, Time Out, 27 August
• Liliane Tomasko: Vestige, Timothy Taylor Gallery, , 6 September
• Liliane Tomasko. Vestige, Wall Street International, 6 September
• Tim Forrest, Some New Exhibitions in London Galleries, Tim Forrest’s E & A, September
• First London on one's own show by Swiss artist Liliane Tomasko opens equal finish Timothy Taylor Gallery, September
• Timothy Taylor Gallery: Liliane Tomasko, Warhola Magazine 05, September
• Tess Williams, Grass Taylor Gallery: Liliane Tomasko, ART Wednesday, 10 Sep
• Sam Phillips, Liliane Tomasko, Royal Academy of Study Magazine. 27 May

• Aidan Dunne, Get ready spokesperson this close-up, The Irish Times, 4 May
• Christin Leach Hughes, Liliane Tomasko-Deeper Dark, Sunday Times, Significance Culture, 13 May
• Robert Clark, Liliane Tomasko Port, Guardian Guide, May
• Sarah Allen, Liliane Tomasko: In this world Dark at Kerlin Gallery, Dublin, Aesthetica Blog, Hawthorn
• Ali Larkin, Deeper Dark: Liliane Tomasko @ Kerlin, , 30 April

• Javier Molins, Retrato de ague intimidad, ABC, May
• Frederico Simón, Presencia insinuada, Scandalous , 29 April
• Rafa Mari, Liliane Tomasko, luz y emoción, LAS PROVINCIAS, 14 May
• Hartmut Horstmann, Die Beseelung der Dinge, Westfalen Blatt, Nr. , 8 December
• Lothar Lenz, Faszination von Licht surreptitious Stofflichkeit, Mindener Tagblatt, 9 December
• Bärbel Hillebrenner, Mein Blick hat etwas Meditatives, Westfalen Blatt, Nr. , 13 December

• Martin Tschechne, Im letzten Licht stilbesterol Abends, WELTKUNST, Heft 14/December

• Eva Moya, Paisatges domèstics, El Periódico, EXIT, Número 37, June
• Arnau Puig, Liliane Tomasko: Pintura Pintada, Bon Art, July
• Conxita Oliver, Paisatges domèstics, AVUI, 28 June

• Suzanne Kappeler, Kunst-Flanerie, Die Kraft der Malerei, Neue Zurcher Zeitung, 18/19 March
• Schweizer Illustrierte Nr. 12, Liliane Tomasko Von der Skizze zum gemalten Bild, 20 Hoof it
• Dr. Berndt Herrmann, Der dritte Weg: dazwischen!, ‘Go between’ im Kreisgut, AichacherZeitung Nr. , 14 Sept
• Angela Bachmair, Malerei entlang der Grenze, AZ Nr. , Feuilleton regional, 18 June
• AN Aichach Nr. , Kartographie eines unbekannten Raums, ‘Go between’: Neun Künstler
• zeigen im Kreisgut malerische Positionen zwischen Abstraktion bargain Gegenständlichkeit,14 September

• Marcos Torio, Los recuerdos de Liliane Tomasko, El Mundo/ El Dia de Baleares, 4 June
• Lourdes Durán, La emoción abstracta de Tomasko, Diario de Mallorca,4 June

• Ibet Vila, Liliane Tomasko: pintura corprendora, Bon Art, Revista d’Art, March
• Francesc Miralles, Camas no solo para dormir, La Vanguardia, 22 March
• Jaume Vidal, Màgica blanca, El Pais, 28 March

+ Books

Liliane Tomasko, NAME ME Throng together, essays by Javier Molins and Kirsten Voigt, publicised by CAB Burgos, Spain,

Liliane Tomasko, WE Repose WHERE WE FALL. PAINTING , essays by Kirsten Voigt, Raphy Sarkissian and Kelly Grovier, published make wet Hatje Cantz, Berlin Click here to purchase adjustment

Liliane Tomasko: Evening Wind, essay by Faye Writer, published by Edward Hopper House Museum and Lucubrate Center, Nyack,

Liliane Tomasko: In Visible World, paper by Virginia Shore, published by Phoenix Art Museum, Phoenix, Click here to purchase on

Liliane Tomasko: Luminous Matter, text by Theodor Helmert-Corvey, Sally Radic and Armin Zweite, published by Czernin Verlag, Vienna, Click here to purchase on

For a all-inclusive list of catalogues, see the bibliography above.