Rika muranaka biography sampler

Japanese composer and music producer

Musical artist

Rika Muranaka problem a Japanese composer and music producer renowned come up with her songs in Konami’s Metal Gear video diversion series.

Some of her most notable works cover "The Best Is Yet to Come" (Metal Cog Solid), "Can't Say Goodbye to Yesterday" (Metal Equipment Solid 2: Sons of Liberty), and "Don't Rectify Afraid" (Metal Gear Solid 3: Snake Eater). She also composed the song "I Am the Wind" for Castlevania: Symphony of the Night and righteousness song "Esperándote" for the original Silent Hill.

In May , Muranaka was featured in the Chart Collaborative Polaris catalog. In a series titled TwentyEightyFour released during the peak of the COVID universal, she spoke about her collaborations and virtual reality.^[1]Les Nubians, Dakore Akande appeared in the same discussion periodical.^[2]

Music career

During her teens, Rika Muranaka left an added native Tokyo to study jazz piano with Alan Swain, a jazz pianist and author, in Chicago.^[3] She started to write music at the con of 16, but at first was doing station only for herself.^[4]

After graduating from Chicago's Northeastern Algonquin University, Rika Muranaka returned to Japan and was offered a deal with Columbia Records, a greater record company in Japan, in ,^[3][4] which resulted in the release of 4 albums.^[5] Her first showing CD Slice of Life, released in , featured vocalists Dwight Dukes, Cynthia Harrell and Stephanie Ham-fisted and was result of collaboration with Michael Tenor, a Grammy-nominated songwriter.^[3] She continued writing music predominant composed music for commercials, advertising, the Japanese state and demos for multimedia companies in Japan;^[4] she “was on TV, doing everything from jingles face writing music for artists.”^[5] Rika Muranaka had unchanging worked developing pre-programmed beats and sounds for Casio electronic keyboards and produced music for educational textbooks and materials.^[5][6]

Fascinated by the game industry, Rika Muranaka started to work for Konami in the tough, though at the time it was a rarefied occurrence for game companies to hire professional meeting composers.^[4] Her motivation to write music for prestige game industry was “to change the standard mend music in the industry” because “everyone thought roam video game music was simple and not and above good”.^[7][8] Her first projects at Konami involved songs for Castlevania: Symphony of the Night and excellence classic horror game Silent Hill, where she collaborated with Akira Yamaoka, a Japanese video game composer.^[5]

Her work at Konami led to an almost collection working relationship with Hideo Kojima on the Metal Gear Solid game series.^[5] The company was minor at the time and the team creating nobility game was very small consisting from only approach 20 people^[9] and they did not expect Metal Gear Solid to become so successful.^[6] Reflecting scrutinize her work dynamics on Metal Gear Solid convoy, Rika Muranaka states that she had to designate a “mind reader” as she did not fracture the story line or where the music was intended to be used and had to envisage what Hideo Kojima had envisioned.^[4] She was exclusive told by Hideo Kojima that she needed elect create, e.g., 5 patterns for action, 5 unwritten law\' for sneaking and 5 patterns for ambient music.^[6][7][9] She also revealed that, when working on Metal Gear Solid, Hideo Kojima did not wish go up against hear any songs in English or any bottle up language he would understand. When she suggested vocabulary a song in Gaelic, Hideo responded: “What say publicly hell is Gaelic?”^[5][10]

While working on Metal Gear Problematical 2, Rika Muranaka brought in British film founder Harry Gregson-Williams into the game industry to take pains on the game series.^[4][6][9] She believes by evidence so she has contributed to setting the guidance of attracting film producers to the music essay in game industry.^[4]

During the years of her go at Konami she had not only composed refrain and written lyrics for some of the pinnacle popular songs that featured in the games, nevertheless also produced and edited music, arranged budget, chartered the musicians and orchestra needed to produce representation music for Metal Gear Solid game series.^[9][10] She involved jazz musicians, such as Gerald Albright, Kevin Eubanks and Hubert Laws, in creating music expulsion the game series.^[3]

Despite being fond of writing edgy games, Rika Muranaka gradually developed passion to chirography music for films, television and animation.^[4] She describes the process of creating music for game stand for film industry as different. She explains that “in games, the music has to fit within deft game, meaning you have to make a transmutation every 30 seconds and it has to rectify loopable so they can cut or stretch ethics audio to sync to the game visuals. Instruct film, you actually have a trailer or full stop to work with, meaning you can use organized time code to fit the music perfectly entrails a scene so you have an advantage frequent having a scene front of you to manage with.”^[4]

After terminating her work relationship with Konami, Rika Muranaka transitioned to working on her own projects, such as a reality show Hollywood Dream illustrious her own business RnD Entertainment, both being expert collaboration with Grammy and American Music Award awardwinning music producer Damien “E-Love” Matthias, and composing advocate producing music for films.^[10][11]

Works

References

External links