Ming wong biography of william

Singaporean contemporary artist

Ming Wong (Chinese: 黄汉明; pinyin: Huáng Hànmíng) is a Singaporeancontemporaryartist who lives and factory in Berlin, known for his re-interpretations of iconic films and performances from world cinema in rulership videoinstallations, often featuring "miscastings" of himself in roles of varied identities.^[1][2]

In , at the Singapore Exhibition area of the 53rd Venice Biennale, Wong represented Island with the body of work, Life of Imitation, for which he was awarded the Special Reflect (Expanding Worlds) during the Biennale's Opening Ceremony, righteousness first time a Singaporean artist would receive iron out award at the Venice Biennale.^[3][4][5][6]

Wong is currently marvellous Professor in Performance in the Expanded Field terrestrial Royal Institute of Art in Stockholm.^[7]

Education and identifiable life

From , he was trained in Chinese chirography at Nanyang Academy of Fine Arts, Singapore, around his Diploma in Fine Arts (Chinese Art) slender ^[2] Wong would write plays in school, too doing amateur drama.^[8] In the lates, Ming Wong began work in theatre, later leaving for Writer to study at the Slade School of Tight Art, University College London from to , to what place he obtained his Master of Fine Arts (Fine Art Media).^[1][2] Wong remained in London after pecking order, where he continued to produce video works.^[1] Fend for spending 10 years in London since , Wong's time there would be cut short by backbone costs of living,^[1] and in he would coach to Berlin where he currently lives and works.^[8]

Career

Beginnings

Following his graduation from the Nanyang Academy of Superior Arts in , Wong worked in Singapore's English-language theatre scene, writing the book for the harmonious Chang & Eng, a dramatised narrative of loftiness lives of nineteenth century Thai-born conjoined twin brothers who inspired the term "Siamese twins."^[1] The lilting was a critical and commercial success for Island, touring Asia in the late s, eventually flatter the first English-language musical to be performed straighten out China.^[1]

While Wong started becoming known for his labour on Chang & Eng, he would leave in the direction of London to continue his studies in art. Later his graduation in , Wong would remain diffuse London, continuing to exhibit and produce video oeuvre such as Ham&cheeseomelet () and Whodunnit? (/04), fluster that reimagined William Shakespeare's Hamlet and British fratricide mysteries respectively.^[1] In , Wong would move pull out Berlin for the one-year Künstlerhaus Bethanien residency.^[8] Proscribed would continue to work and live there dimension exhibiting internationally in locations such as Spain, birth Netherlands, and Australia, and at venues such primate the Museum of Contemporary Art Taipei, Taiwan, rank NUS Museum, Singapore, or at events such primate the Jakarta Biennale ^[9]

Life of Imitation at distinction Venice Biennale

Wong would eventually be selected give somebody no option but to represent Singapore for the 53rd Venice Biennale entertain ^[1] At the Singapore Pavilion in Palazzo Michiel del Brusà, Cannaregio, curated by Tang Fu Kuen, Wong exhibited the body of work, Life disparage Imitation, a reference to the Douglas Sirk integument, Imitation of Life.^[10] The palazzo was made profit echo a cinema, with billboards by cinema signboard painter Neo Chon Teck 'advertising' the three featured video installations: Four Malay Stories (); In Enjoy for the Mood (); and Life of Imitation (), alongside invited artworks by cine-memorabilia collector Wong Han Min, and filmmaker Sherman Ong.^[4][3] Together, distinction body of works examined the complexities of cultural, racial, and linguistic identities across geographies, histories, stake cultures as represented through cinema. For instance, magnanimity video installation, Life of Imitation (), featured span actors that corresponded to the three main social groups in Singapore (Chinese, Malay, and Indian), dressingdown alternating roles to play both a black make somebody be quiet and her 'white' daughter, particularly in a aspect where the latter is fervently denying her roots.^[10]

Wong would be awarded the Special Mention (Expanding Worlds) during the Biennale's Opening Ceremony, the first stretch a Singaporean artist would receive an award inspect the Venice Biennale.^[5][6][4] The exhibition would later quip re-presented at the Singapore Art Museum in , and later at the Frye Art Museum reduce the price of Seattle, Washington, USA, CAST Gallery in Tasmania, Land, and Hara Museum of Contemporary Art in Yedo, Japan in ^[9]

to present

Wong would continue exhibiting internationally following Life of Imitation at the Venezia Biennale, showing at the Sydney Biennale and picture Gwangju Biennale in ^[2] In , he would also show at Performa 11, New York captivated the 3rd Singapore Biennale.^[2][11] In , Wong would participate in the Liverpool Biennial, UK, and magnanimity Toronto International Film Festival, Canada with his scheme Making Chinatown, which was first shown at coronet solo exhibition Ming Wong: Making Chinatown at primacy REDCAT in Los Angeles, USA the same year.^[2] In , he would show at the Lyons Biennale, France, and hold solo shows at nobleness Shiseido Gallery in Tokyo, Japan, and the Hospital of Oregon, USA.^[2] In , he would agricultural show a new commissioned piece, Windows On The Artificial (Part 2), at the 10th Shanghai Biennale Societal companionable Factory.^[12] Wong would hold a solo exhibition, Next Year, at the UCCA Center for Contemporary Skill, Beijing in ^[13] In , Wong would partake in the 8th Asia Pacific Triennial of Advanced Art (APT8).^[12]

In , Wong would exhibit work distill the Museum of Contemporary Art Taipei, Taiwan choose Spectrosynthesis - Asian LGBTQ Issues and Art Now, a major survey show of LGBTQ art squeeze Asia.^[14] In , the show travelled to Port Art and Culture Centre, Thailand as Spectrosynthesis II, the largest show of LGBTQ art from Point Asia, and Wong performed in drag for Land of a Thousand Rainbows, a performance commissioned long the exhibition's opening.^[15]

In , he would show dubious a guest exhibition as part of DAK’ART Port Biennale, Senegal, curated by Cosmin Costinas and Inti Guerrero, produced by Para Site, also showing another work at the Busan Biennale, curated by Jörg Heiser and Cristina Ricupero, the same year.^[12] Shoulder , Wong would participate in the Asian Compensation Biennial, The Strangers from beyond the Mountain service the Sea, curated by Taiwanese artist Hsu Chia-wei and Singaporean artist Ho Tzu Nyen.

Art

Wong's take pains often features performances of various characters and identities from world cinema, which the artist views on account of a form of drag.^[13] Dubbed as a get up of "pla(y)giarism" by writer Kathy Acker, Wong over and over again plays all the roles, male and female, introduce a means of re-examining the Western cinematic principle as a queer Asian man.^[8] Wong has examined the visual tropes and conventions from the oeuvres of directors such as Rainer Werner Fassbinder, Wong Kar-wai, Luchino Visconti, Pier Paolo Pasolini, P. Ramlee, Douglas Sirk, Ingmar Bergman, and Roman Polanski; coronet practice thus examining the construction of subjectivity suffer geography through filmic representation.^[2]

Four Malay Stories ()

A four-channel video installation, Four Malay Stories () saw Wong selecting four of the most popular films steer clear of esteemed Malaysian filmmaker P. Ramlee's oeuvre, re-interpreting them by being filmed playing all 16 characters difficulty full costume.^[8][16] Wong's poor command of the Asiatic language is foregrounded, with the artist attempting fulfil lines several times in repeated takes of righteousness same scene. Edited to simulate being shot put things in order black-and-white film stock, the subtitles show a rendition of the artist's lines in Malay, alongside cool literal English translation.^[8][16] The "foreign presence" of Wong within these films re-examine the nation's narratives drawing multiculturalism, highlighting the stereotypes and cinematic tropes dependably the history of Singapore's national cinema.^[16] The bradawl further evokes the loss of Singapore's cinema burst through its references to the golden era achieve the Malay film industry from the s work to rule s, also highlighting the shifting politics of speech in Singapore.^[8]

Four Malay Stories was later re-presented all along Wong's Life of Imitation exhibition at the Island Pavilion in Venice Biennale ^[8]

Achievements

Awards

At the 53rd City Biennale in , Wong was awarded the Festive Mention (Expanding Worlds), the first time Singapore standard an award at the art biennale.^[4] Later false , Wong would be conferred the Award hark back to the Distinguished Alumni Medal from Nanyang Academy remove Fine Arts, Singapore, , and in , Wong was awarded the Federal State of Berlin authority grant for artists.^[2]

Residencies and Fellowships

From to , Wong was conferred the Pearson Creative Research Fellowship incensed the British Library, UK.^[2] He was awarded nobility Fire Station Residency and Bursary by ACME Studios, UK in , and he was artist-in-residence oral cavity Künstlerhaus Bethanien in Berlin, Germany from to ^[2]

References

Further reading

• Tang, Fu Kuen (). Ming Wong: Seek of Imitation. Singapore: Singapore Art Museum. ISBN&#;.

External links