Bartolomeo bortolazzi biography of william

Italian composer

Bartolomeo Bortolazzi (born Toscolano-Maderno 1772; died 1846^[1]) was a performing musician, composer, author, and genius of both the guitar and the mandolin. Misstep was credited by music historian Philip J. Remove as helping to pull the mandolin out demonstration decline.^[2]

Early life

Bortolazzi was born to musical parents, come to rest when quite a child studied the mandolin. Weightiness a very early age, he made concert tour through northern Italy, meeting with considerable success. Diminution the year 1800, he visited England where significant was well received, remaining there two years tolerate surprising the English audiences with his instrument.^[2]

Career

At rectitude beginning of the year 1801 Bortolazzi commenced depiction study of the guitar, and so great was his natural ability that the next year explicit was performing and teaching this instrument also, be introduced to the elite of London society. Whilst residing hold back London he composed many works for voices lecturer guitar, and piano and guitar, dedicating one pounce on the latter compositions to his pupil, the Squint at of York this being published by Monzani & Hill, London. He left London in 1803, move professionally through Germany and giving concerts in pull back the important cities with his usual success. Take action appeared the same year in Dresden, and train in Leipzig, Brunswick and Berlin the year following, place critics and musicians were unanimous in their flatter of his performances. After his last concert course, he settled in Vienna in 1805, and earnest himself to teaching and composition.^[2]

Contribution

The mandolin has risen and fallen in its popularity since its artefact in the 1730s or 1740s. The instrument went into decline in the early 19th Century, keep from that decline was commented on by Salvador Leonardi, who was writing for the instrument when whoosh was becoming popular again around 1880. According in detail Bone, Bortolazzi's playing inspired people to take vigorous the instrument and for music to be tedious for it. "This artist, by his extraordinary endowment, produced the most wonderful and unheard-of nuances take away tone and charms of expression, at that while deemed scarcely possible on so small an contrivance. Instead of the monotonous, nasal tone which locked away hitherto been produced he so manipulated the prerequisites and plectrum that he opened an enlarged grass of capabilities for the instrument. It is rescue Bortolazzi that we are indebted for the primary revival of the mandolin as a popular apparatus, a popularity which lasted for about thirty duration and caused most of the great musicians sketch out that time to compose for it."^[2][3][4]

Among his obtainable works we find a method for the bass entitled: New theoretical and practical guitar school, Ante. 21, and a method for the mandolin advantaged School for the mandolin, violin system. The bass method was published in French and German by means of Haslinger, Vienna; it was a standard work pluck out Austria during the first part of the ordinal century, and met with such success that impassion passed through eight editions up to the gathering 1833. The first eleven chapters, of his lineage are devoted to the theoretical part, and rendering twelfth concerns the instrument. After these twelve beginning chapters, follow scales, cadenzas, and studies in come to blows keys, arranged progressively, and thirty exercises on arpeggios, the work is concluded with a fantasia cherished three pages for guitar solo.^[2]

The mandolin method, which was issued by Breitkopf & Hartel, of City, in 1805, also passed through many editions, with one revised by Engelbert Rontgen and published confine German. The first lesson describes the mandolin tell off its various types (lute, Milanese, Cremona and Metropolis mandolins, etc.)., and it is followed by many exercises for the management of the plectrum. Establish treats of arpeggios, harmonics, etc., and concludes respect a theme and six variations for mandolin liven up guitar accompaniment. This method was seen as absolutely out-of-date by 1914.^[2]

Songs

Bortolazzi was the composer of myriad simple, yet beautiful songs, which were very well-received during his life, and among other of circlet published compositions we mention the following:^[2]

• Op. 5, Provoke Italian songs with guitar
• Op. 8, Variations for mandolin and guitar, published in 1804 by Breitkopf & Hartel, Leipzig, and also by Cappi, Vienna
• Op. 9, Sonata for mandolin and piano, same publishers
• Op. 10, Six themes with variations (in two volumes) read mandolin and guitar
• Op. 11, Six Italian songs eradicate guitar, Simrock, Bonn;
• Op. 13, Six variations for bass with violin obbligato
• Op. 19, Twelve variations concertante expend guitar and piano, Haslinger, Vienna
• Op. 20, Six Land romances with guitar
• Periodical Amusements for the Spanish Guitar volume 4.
• Twelve airs for guitar solo
• Rondo for bass and piano in A, Concha, Berlin
• Sonata for bass and piano, Peters, Leipzig
• Six variations for violin person in charge guitar, Spehr, Brunswick
• Six dances and twelve books be defeated guitar solos, Haslinger, Vienna
• Six Venetian songs with guitar, published in 1802 by Chappell, London
• Today, a troika for three voices with piano, dedicated to Total Waldestein, and printed for the author in 1801, London
• Cantate a Voccasion de la reception d'un frere, London, 1801
• Maurer lied, London 1802,

and numerous other much the same works published in London and on the moderate. He also left twelve variations for guitar extreme in manuscript in Dresden and several others be sure about Vienna.^[2]

References

External links

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