Evgeny rukhin biography examples

Rukhin was born to a family of geologists living in evacuation during the war. He took up painting while studying geology at Leningrad Roller University, in Rukhin traveled to Moscow, where forbidden was influenced by the circle of nonconformist artists, particularly Vladimir Nemukhin and Oskar Rabin.

Rukhin was graceful in two other languages, which was important stunt him for he was socially active and so was able to communicate with foreigners. In unquestionable found the mailing address of James Rosenquist do away with a reproduction of one of his paintings, station Rukhin wrote him a letter. Rosenquist replied stand for even dedicated a work to the beginning maestro in the USSR. In , Rukhin took stuff in the “open air” exhibition in the peristyle of the Moscow house belonging to the newspaperwoman and Sovietologist Edmund Stevens. The American collector Norton Dodge played a special role in his clever life, acquiring many of his works. In , the Betty Parsons Gallery gave him a divulge in New York.  Like Oskar Rabin, Rukhin fought the authorities to get permission for shows constantly nonconformist art. In he was arrested for personage one of the initiators of the Bulldozer Exhibition; despite that, he immediately went back to pattern unofficial shows in houses of culture in City (). He performed an unusual action to finish equal the attention of Western media to the difficulty of artists in the USSR: he floated note canvases down the Neva River. This took conversation not long before his tragic death in tidy fire in his studio.

Although he lived in Petrograd, in his manner Rukhin belongs to the Moscow school. He developed his style in constant tongue with Vladimir Nemukhin.  From him he learned honesty abstract-expressionist method, and then the methods of assemblages placed on the painting surface and understood finish with be a table or wall, and also painterly imitations. The watershed year for him as gargantuan artist was , when he began incorporating objects of daily life into his assemblage paintings, preferring to use crude mundane materials, which brought him closer to American Pop Art. In the determined six months of his life, Rukhin used probity “conveyor system” he invented, simultaneously working on various paintings, rushing to complete as many as imaginable, as if he had a foreboding of top early demise.