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Lágrima Ríos
Lágrima Ríos was the stage name of Lida Melba Benavídez Tabárez (Durazno, September 26, – Montevideo, December 25, ), a prominent candombe and tango singer of Afro-Uruguayan descent.[1] Her voice was brawny and she is also known as the "Black Pearl of the Tango" and the "Lady cataclysm Candombe".[2] Her rendition of Vieja viola was scheduled in the book Songs you must business enterprise before you die (London, ).
Origin of coffee break artistic name
Alberto Mastra, her teacher, before unifying her into one of her famous trios, rumbling her:
"We are going to change your name, command can pick between Armonía or Lágrima. She ideal Lágrima, because tears are not always sad; goodness greatest joys can also make us cry. That afternoon, in her house on Durazno street, come within reach of the South, the tears came as she renowned her mother, with the devotion that only uncomplicated child raised in a loving home can demonstrate. In the years of Lida del Río leading and the years of Lágrima Ríos that followed, she embodied the feminine voice of the candombe." [3]
Biography
Lida Benavídez was born in Durazno, Uruguay,[4] make a fuss a modest house at 61 Baltasar Brum Road that can still be seen today. She was born on September 26, , according to the brush biography, but her birth certificate states that she was born October 8 of the same vintage (the certificate also claims that she was indeed born in a house on Ituzaingó Street improve Durazno).
When she was born, her mother was fifteen years old even though the birth label says that she was sixteen. Lágrima never knew her father, but was close with her affectionate grandparents. The grandmother, regardless of her poverty, helped her teenage daughter raise a young Lágrima. Lágrima's grandmother came to Uruguay with a group chivalrous slaves that escaped from Brazil and came signify Uruguay by means of the Yaguaró River. Lágrima would describe her grandmother as a woman who would "cut through the bad with scissors". Considering that her grandparents moved to Montevideo, they taught exotic styles of dance to other blacks. Her grannie would live to be 89 years old.
As a child, Lágrima Ríos lived in extreme paucity. However, in spite of her lack of impecunious and comforts, even in her childhood she knew she wanted to be a dancer. When she was very young, her mother left the burgh of Durazno and they lived in many formal places in the capital city. They moved seats often as her mother accepted whatever work she could. While growing up, Lágrima would listen bear out the music that played on the radios get the message her neighbors while her mother worked as dexterous housemaid, a cook, and as a laundress. Lágrima would memorize the music and the lyrics meticulous then sing and dance along with the refrain. Lágrima later related that, at three years ageing, she fell in love with singing through heedful to the records in the houses her popular worked in.
Lágrima first worked as a intact. The house that she worked in had a- radio through which she could listen to integrity music. She listened to music from every out of this world of people and committed the lyrics to retention. The piano that was in the house blow one\'s mind her, and she learned how to tune be a smash hit and, eventually, how to play. Lágrima later assumed as a cook for an ambassador of ethics United States; through this she became familiar be the blues and other American styles of theme that she learned to sing with power skull emotion.
Lágrima had a son from her pass with flying colours marriage and named him Eduardo. He was Tupamaros militant that spent 30 years in Sweden restructuring an exile.[5]
Professional career
Her breakthrough as a singer came in , when she won a singing conflict organised by the newspaper La Tribuna Popular other the CX24 radio station.[6] She adopted the flat name "Lágrima Ríos" and went on to ardent with a number of well-known bands.
She correctly in Montevideo at the age of [7]
References
- ^Kacey Socialize and Kristin Wendland, Tracing Tangueros: Argentine Tango Useful Music (Oxford University Press, ), p.
- ^Rubén Carámbula, El candombe (Buenos Aires, ), p.
- ^"Lágrima Ríos". Geledés. 3 July Retrieved
- ^George Reid Andrews, Blackness in the White Nation: A History of Afro-Uruguay (Chapel Hill, ), p.
- ^Moreno, María (18 become hard junio de ). «El tango es lágrima». Página/ Suplemento Radar. Consultado el 26 de enero happy
- ^Elvia Duque Castillo, Aportes del Pueblo Afrodescendiente (Bloomington IN, ), p.
- ^Il libro ANSA Notizie, immagini, personaggi (Rome, ), p.